The February 2025 issue of Hillsdale College's Imprimis magazine features an excellent article by Roger Kimball, "Restoring American Culture." It's five reasonably short pages, with no paywall. He expresses what I've been feeling for many years, only better and with more authority than I can.
At the beginning of his Discourse on Method, René Descartes said that common sense was “the most widely distributed thing in the world.” Is it? Much as I admire Descartes, I have to note that he was imperfectly acquainted with the realities of 21st century America. If he were with us today, I am sure he would emend his opinion.
After all, is it common sense to pretend that men can be women? Or to pretend that you do not know what a woman is? During her confirmation hearings, a sitting member of the Supreme Court professed to be baffled by that question.
Is it common sense to open the borders of your country and then to spend truckloads of taxpayer dollars to feed, house, and nurture the millions of illegal migrants who have poured in? Is it common sense to sacrifice competence on the altar of so-called diversity? To allow politicians to bankrupt the country by incontinent overspending?
Like most important concepts—think of love, justice, knowledge, or the good—common sense is not easy to define. But we know it when we see it. And more to the point, we instantly sense its absence when it is supplanted.
In recent years—indeed, at least since the 1960s—our culture has suffered from a deficit of common sense. That deficit has eroded a great many valuable things, from our educational institutions to our cultural life more generally.
From the moment Donald Trump was shot at a rally last July, people have been speaking about a “vibe shift,” a shift in the zeitgeist of American culture. That revolution in sentiment picked up speed with Trump’s election in November, and it began barreling down the main line with his inauguration. We always hear about the “peaceful transfer of power” when a new president takes office. The usual procedure is for the old crowd to vacate their positions while the new crowd slides in to take their places. The institutions remain inviolate. Nothing essential changes.
Trump’s ascension was the opposite. He was elected not to preserve the status quo but to remake it.
Kimball spends some time analyzing three cultural phenomena: Kenneth Clark's amazing television series, Civilisation, which we watched in its entirety when it first aired on PBS (and again later in the VHS tape era), Leonard Bernstein's Young People's Concerts, and Harry Scherman's Book of the Month Club.
One of the hallmarks of Civilization is its absence of chatter. Clark is a gracious historical guide, but he does not go in for small talk. He is genial but also serious. An abundance of glorious music often commandeers the audio. Clark says his piece and then lets the camera pan slowly over the art, architecture, and landscapes he has assembled for our enjoyment and edification. “Throughout,” as one reviewer noted, the show “maintains a majestically slow pace. Luxuriously long moments where the visuals are completely unencumbered by any commentary whatsoever.”
The original Civilization was pitched at a high level. It was also meticulously accessible. The treasures Clark toured were allowed to speak for themselves, and so speak they did. The elites didn’t much like Civilization, partly because they found it insufficiently multicultural, partly because they objected to Clark’s unstudied air of competence and cultural mastery.
But Civilization is a good example of what it might look like to restore culture in an age that has abandoned common sense. If it seems old-fashioned and out-of-date to a generation weaned on social media, special effects, and incessant lectures about the evils of capitalism and the West, that tells us more about the quality of our times than it does about Clark’s achievement in this series.
Something similar can be said about Leonard Bernstein’s Young People’s Concerts. Bernstein began the concerts in 1958, just two weeks after he took the helm of the New York Philharmonic. These marvelous concerts—with commentary by Bernstein—aired on television, first in black and white and then in color, until 1972. Bernstein organized each concert around a theme—the meaning of music, musical modes, orchestration—drawing on the orchestra’s current programming for suitable illustrations. In 2005, a new nine-disc selection of the concerts was released, some 25 hours of music and commentary.
As with Clark’s Civilization, there was no small talk. The music was central.
The Young People’s Concerts were a huge popular success, in Europe and Asia as well as in the U.S. ... Despite Bernstein’s success as a conductor and composer, some commentators judge this long-running concert series to be his greatest musical achievement. He might have agreed. Looking back on the concerts years later, he said they were “among my favorite, most highly prized activities of my life.”
The point is that all these initiatives bore witness to a culture at one with itself. It was a culture innocent of the self-loathing that has been such a disfiguring feature of elite American culture since the 1960s. From our perspective in early 2025, it is a culture of common sense—affirmative, forward-looking, and normal.
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Category Imprimis: [first]
Hillsdale College's Imprimis magazine frequently features interesting, inspiring, and intellectually solid articles. I've started a new category for links to some of these articles online, for my records and for anyone else who is interested.
This one is from the December 2024 issue: Religious Liberty and the Genius of the American Founding. There's no pay wall.
Enjoy a very brief introduction to the history of religious liberty and the relationship between sacred and secular authority in the Western World. Here's my favorite line, quoting George Washington:
All possess alike liberty of conscience and immunities of citizenship. It is now no more that toleration is spoken of, as if it was by the indulgence of one class of people, that another enjoyed the exercise of their inherent natural rights.
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Category Imprimis: [newest]