The same guy who brought you the 18-Minute Cabin had an old, broken down pop-up camper that he decided to renovate from the ground up. I know a few people who might find the work interesting; I know I did. (44 minutes, does well at 2x speed.)
I've really enjoyed his YouTube channel, black spruce. Perhaps it's the uncertainty of life these days that makes me especially appreciate people with these kinds of skills. Either that, or I just like watching other people work. :)
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The builders in our family might enjoy this video. I'm not a builder, but I loved watching this cabin-in-the-woods go together in 18 minutes. That is, a 36-minute video watched at 2x speed. The actual project took about a month.
If you liked this one, you can see more of the story here.
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You know I'm a big fan of Bret Weinstein and Heather Heying—the folks I call my favorite Left Coast Liberals. There's a lot we disagree about, but plenty of common ground, and I admire their dogged search for truth and willingness to follow where it leads, even if that sometimes aligns them with people they were once taught to despise.
For longer than I have known of them, YouTube has been profiting off their popular DarkHorse Podcast without remunerating them in any way. That is, YouTube "demonetized" them, which means that they can no longer get revenue from the ads YouTube attaches to their posts. The ads are still there, but YouTube takes all the profit for themselves, instead of just a percentage. (Okay, I'm aware that 100% is also a percentage; you know what I mean.) It's a dirty trick, and forces content creators to tie themselves in knots trying to avoid giving YouTube an excuse to demonetize them or to shut them down altogether. In frustration and protest, many creators have left YouTube. But that's a tough way to go, as YouTube's stranglehold as a video content platform is exceedingly strong.
One alternative that has become more and more popular is Rumble, largely because it makes a point of censoring only the most egregious content (e.g. pornography, illegal behavior) while encouraging free speech and debate, including unpopular views—such as the idea that the COVID-19 virus was originally created in the Wuhan lab during U.S.-sponsored gain-of-function research. While widely accepted now, it was not long ago that expressing such an opinion on YouTube was a fast track to oblivion.
Rumble has been steadily making improvements, but it's still not as polished and easy to use as YouTube. YouTube still has a virtual monopoly, so few content creators can afford to drop it altogether. And if your content has no political, medical, or socially-unacceptable content, it's hard to find the incentive to make the effort to switch. So I won't be boycotting YouTube any time soon.
That said, I'm glad to see that while we were out of the country, DarkHorse began moving to Rumble. Apparently they will do what many other creators have done, keeping a smaller presence on YouTube, which has by far the wider reach, while enduing Rumble with additional content. Viva Frei, for example (my favorite Canadian lawyer's site), does the first half hour or so of his podcast on both YouTube and Rumble, then invites his YouTube viewers to move to Rumble for the rest of the show. How it will eventually work out for DarkHorse I don't know yet, but for the moment, their podcasts still appear on YouTube, but the question-and-answer sessions, along with some other content, are exclusive to Rumble.
In honor of DarkHorse's new venue, and to give myself a chance to learn how to embed a Rumble video here, the following is the Q&A session from Podcast #175.
Embedding the video turned out go be easy enough, but I haven't yet figured out how to specify beginning and ending times. So I'll just mention that the section from 12:47 to 31:10, where Bret and Heather deal with the subject of childhood vaccinations, is particularly profitable. It may lead some of my readers to realize how insightful they themselves were many long years ago.
Heather's brief environmental rant from 1:11:35 to 1:12:45 is also worth listening to.
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It's time for another in my series of YouTube channel discoveries. I resent the amount of time it takes to get information out of the video/podcast format, but it's so popular these days that it has become a major source for interesting and helpful information. So I'm unapologetically recommending another video channel: Bret Weinstein and Heather Heying's DarkHorse Podcast. That link is to their podcast website, but I usually watch it via their two YouTube channels: Full Podcasts, and Clips. Full podcasts are long. Very long. They would be great on a car journey, not so much in everyday life, unless you have a lot of work to do that doesn't require much thinking. I can fix dinner while listening to a podcast, but I sure can't write a blog post. Clips, on the other hand, are much shorter (maybe five to twenty minutes). Focussing on clips means I miss good insights, but giving in to Fear of Missing Out is a pathway to madness.
I've mentioned Bret and Heather before, in my Independence Hall Speech post, so it's about time I gave them their due. I must also give due credit to the good friend who introduced me to DarkHorse, as well as to Viva Frei, and remained patient with me even though it was at least a year later before I finally got around to checking them out. Thank you, wise friend. (There's but an infinitesimal chance he'll actually see that, but still, credit where credit is due.)
By way of introduction, the following quotes are from their DarkHorse Podcast website:
In weekly livestreams of the DarkHorse podcast, Bret Weinstein and Heather Heying explore a wide range of topics, all investigated with an evolutionary lens. From the evolution of consciousness to the evolution of disease, from cultural critique to the virtues of spending time outside, we have open-ended conversations that reveal not just how to think scientifically, but how to disagree with respect and love.
We are scientists who hope to bring scientific thinking, and its insights, to everyone. Too often, the trappings of science are used to exclude those without credentials, degrees, or authority. But science belongs to us all, and its tools should be shared as widely as possible. DarkHorse is a place where scientific concepts, and a scientific way of thinking, are made accessible, without diminishing their power.
We are politically liberal, former college professors, and evolutionary biologists. Among our audience are conservatives, people without college educations, and religious folk. We treat everyone with respect, and do not look down on those with whom we disagree.
Needless to say, I often disagree with them—sometimes strongly—but more often I find their insights at least reasonable. And it is always interesting to listen in on their conversations. I take great pleasure in hearing smart people interact with each other—assuming they're polite, which Bret and Heather always are. It's also particularly satisfying in the rare circumstances when I find I know something that these highly intelligent people, with much greater knowledge than I, don't. I love living in Florida, at least in its current free-state situation, but I've never gotten over the loss of the intellectual stimulation that came with having the University of Rochester within walking distance.
I find DarkHorse so diverse and absorbing that it's really hard to limit myself to three examples here. But you can always check it out for yourself. Here are a couple of hints: Bret and Heather's speech is measured enough that I can hear it at 1.5x speed, and Porter can manage 2x. I prefer not to speed it up, but it is a time saver. An ever greater help with the full podcasts is that, once the livestream is over and the video is set on YouTube, you can hover your mouse over places along the progress bar and see where a particular subject begins and ends. I sure wish more long videos would provide that information.
Warning: Objectionable language occurs, though rarely, in the DarkHorse Podcasts.
Multi-age education (11 minutes)
When science is not science (9 minutes)
Wikipedia redefines recession (19 minutes)
I'll close with some advice from their website, which makes me smile every time I read it.
Be good to the ones you love,
Eat good food, and
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[This post was originally entitled, "Camouflage"; I've now changed that to make it part of my "YouTube Channel Discoveries" series.]
Here's another YouTube channel we've been enjoying: Chris Cappy's Task and Purpose. How on earth could I enjoy videos about military tactics, strategy, history, and weapons? Here's a quote from the channel's About section:
Chris Cappy the host is a former us army infantryman and Iraq Veteran. This YouTube channel is a forum for all things military. From historical information to the latest news on weapons programs. We discuss all these details from the veteran's perspective. The first priority with our videos is to be entertaining.
I guess it's the last sentence. Chris Cappy is knowledgeable and entertaining. He may bill himself as "your average infantryman," but he's not your average military college professor droning on in the front of an auditorium filled with bored students.
The video that hooked me is the one below, How Camouflage Evolved (15 minutes). I'm certain we have grandchildren who would find it as enjoyable as I did.
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I love cooking shows. Most of them are on cable television, which we have never had and I hope will never feel the need to have, but they're a favorite of mine when available on long overseas flights. And then there's YouTube.
Ann Reardon's How to Cook That channel first caught my eye because of her "debunking" videos, in which she tries out and exposes too-good-to-be-true internet "hacks," mostly related to her specialty, food. Here's one (16 minutes).
And here's one for our daughter who has always loved miniatures (6.5 minutes). So has Ann, and in her "Teeny-Weeny Challenges" actually bakes in her miniature kitchen.
These are just some of the sidelights of her channel, however. Mostly she focusses on amazing desserts, and has recently published a cookbook called Crazy Sweet Creations. Here's a basic video on working with chocolate (13.5 minutes).
Are you hungry yet?
Most of Ann's creations are too complex to interest me in attempting them, but they are fun to watch, and I can pick up some interesting tips and tricks along the way.
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I've posted quite a bit already about and by David Freiheit and his YouTube channel Viva Frei. But he certainly deserves a part in this series, so here it is, along with some new (to here) videos.
David Freiheit is a Canadian lawyer in Montreal, who worked several years with a big law firm, then started his own commercial litigation practice. During this time his YouTube presence grew, and in 2018 he gave up his practice and took his YouTube channel fulltime. He calls his vlog (video blog) a VLAWG, because his video commentary on current issues from a legal standpoint is what really took off for him. I love seeing American politics from a Canadian point of view, and learning more about life in Canada, especially in Quebec. Occasionally one gets a chance to practice French, but the vlog is in English and Freiheit is good at providing translations.
His style is a little on the crazy side, but he makes legal issues and legal documents interesting, which qualifies him as a miracle worker as far as I'm concerned.
Although Freiheit pulls no punches he is also generally happy, positive, and willing to see more than one side of a situation. He retains his lawyer's caution and willingness to go beyond the surface of a story. Sadly, the pandemic—or more precisely, governmental reaction to the pandemic—is taking its toll on his optimism, but as with much these days, we live in hope that "this too shall pass."
Note: This is a caveat appropriate for all YouTube videos, but especially ones that touch on politics: you may want to avoid the comments. Freiheit is a reasonable and generally even-handed commentator, but not all his followers are so polite.
Another note: You may notice that he uses his own euphemisms for certain words. I don't mean for profanities—he's quite good at keeping his vlog clean without that—but for otherwise normal words that tend to upset the YouTube algorithm and lead to the demonetization or even taking down of videos. Words like "coronavirus," "COVID," and "fraud," for example, have at one time or another been YouTube no-no's. Sometimes he'll also just leave a legal paper or a tweet or letter up on the screen for the audience to read, since apparently YouTube is more likely to object to the spoken word than an image of words. The things you have to do for freedom of speech these days!
There are several different kinds of videos on Viva Frei, and he films in a few different locations. Many of his vlogs are recorded in his car, a concession to the pandemic reality that there's no quiet place in the house. Some are nonetheless done from his basement, and right now he is being quarantined in a family cabin because someone in one of his children's classrooms tested positive for COVID. He also vlogs while ice fishing, which I find both interesting and distracting—I tend to worry because even a New Hampshire native would consider the conditions very cold, and he often has bare hands!
My introduction to Freiheit's work was his legal analysis of current issues; even after all this time, I'm still tickled that he can make legal language and legal proceedings interesting. The following video about a lawsuit against Facebook is a good example of that kind, including a short explanation of class-action lawsuit, and it's less than 10 minutes from start to finish.
Here's another, also from his car, showing not so much legal matters as applying a logical legal mind to reveal the facts behind the news story—or in this case, the tweet. (Just over 10 minutes.)
Then there's his "Viva on the Street" series, in which he vlogs while walking along the streets of Montreal with one or both of his dogs, because walking a dog is one of the very few ways in which it is legal for a Québecois to be out after the "temporary, one-month" curfew was imposed back in mid-January. (Spoiler alert: the curfew is still in place.) Since one of his dogs has paralyzed hind legs, and the other is a puppy going blind, he actually spends more time carrying them than letting them walk, but so far the officials haven't fined him—as they've done to those who have been walking their cats, and the one intrepid woman who had her husband on a leash. Dogs only, please.
But I digress. Here's one of the "Viva on the Street" episodes about the curfew (11 minutes).
He also does live streams with American lawyer Robert Barnes, which are fascinating, but who has time to watch for two hours? I wait for the excerpts that he publishes afterwards. I'd post a sample here, but I'd rather not include more than three videos in an introduction. If you get interested in the channel, you'll find the live streams.
And there's more. All in all, it's a fascinating channel, with more videos than I can keep up with—or even want to. If you'd occasionally like to get out of your American news bubble, or your mainstream media bubble, or to know more of the stories behind the headlines, this is a good place to be.
For less in the way of politics and more on everyday life in Quebec, Freiheit has another channel, Viva Family.
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Next up in this series of interesting YouTube channel subscriptions: Everything Music, by Rick Beato. I was going to say that I can't remember what introduced me to to Rick Beato's channel, but a look back at one of my own posts gave me the answer: Google apparently decided I would be interested in it, popping up a suggested video on my phone. For once they were right.
My gateway to Beato's channel was the musical abilities of his young son, Dylan. There are several Dylan videos, but this one is a good 13-minute compilation:
It turns out that the Dylan videos are but a small part of Everything Music. Beato covers so much; I'll let him give the intro (13 minutes).
Music theory, film music, modal scales, tales from his own interesting musical history, and a whole lot of modern music about which I know little and like less.
Remember what I said about Excellence and Enthusiasm?
I'm a child of the 60's, chronologically, but unlike most of my generation, I've never liked rock music, nor any of its relatives and derivatives. Granted, growing up when I did there was no getting away from it, and there were a few specific songs I did enjoy. At one point, I was even a minor fan of Jefferson Airplane, and attended one of their wild, live concerts. That point in my life, while embarrassing, reminds me of this line from C. S. Lewis' Screwtape Letters: "I have known a human defended from strong temptations to social ambition by a still stronger taste for tripe and onions." Who knows what trouble I might have gotten into in my college years had I not had a stronger taste for what is loosely called classical music?
What, specifically, don't I like about the rock genre(s)?
- The music is almost invariably played at ear-splitting volume, literally ear-damaging.
- Most of the music comes with lyrics, and with a few exceptions, I find that they range from boring to abominable.
- The heavy emphasis on pounding rhythms drives me crazy; I never have liked playing with a metronome.
- The timbre of the electric guitar, nearly ubiquitous in rock music, is one of a very few that I generally find unpleasant (saxophone is another).
Enter Rick Beato. If his son's abilities are astounding, Rick's aren't all that far behind, and his experience, knowledge, and enthusiasm keep me interested in his analysis even though most of his examples are from music I can't stand. It helps a lot that he uses short excerpts, in which neither lyrics nor pounding beats have a chance to do much harm. Plus, I control the volume.
I especially enjoy Rick's videos on modal music, as that has always interested my ear. It does seem really odd to hear him talk about modes without any reference to church music, in which modal music was once really big. But I had no idea how important modes are in rock music and film scoring, and learning through Rick's videos has been a delight. Hiding underneath all that raucous sound and those objectionable lyrics is a lot of complex and very interesting music. It's not going to make me a rock music fan, but it gives me more appreciation for the skill of the musicians behind it—if not for their sometimes questionable moral compasses. (I know, classical composers were not necessarily saints, either. There's a reason I generally prefer instrumental music.) It has also heightened my awareness of the music that undergirds our movies and television shows, and why it is often so powerful.
Here's an interesting Gustav Holtz/John Williams comparison from one of his movie music videos (16 minutes):
That's enough for an introduction; I'm sure I'll be posting more Everything Music videos in the future.
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I'm starting a new series of posts featuring YouTube channels I've found interesting and which I think others might enjoy, too. Some were recommended by friends; some I just happened upon in the almost-random way one does online.
Today? Chateau Love.
The writers (producers? hosts?) are friends of ours, so I would have subscribed in any case. But this is also an example of what I wrote about yesterday, of how excellence and enthusiasm draw me into an appreciation of subjects that I might otherwise give a miss.
Our friends Vivienne and Simon have recently started their own vlog (video blog), featuring life at and around their château in France. Without meaning in any way to diminish Simon's many contributions, I'll focus on Vivienne in this introduction because she's clearly the hostess and narrator of the vlog, and because we've known her longer and better.
Vivienne is an artist. I mean a "real" artist, whose paintings have been exhibited in Paris. Now that sounds really impressive, and it is, but you do have to bear in mind that for a number of years Paris was her home. She's an American, married to a Brit—but they've called France home for a long time. When I say she is an artist, however, I mean much more than her paintings. Vivienne puts beauty and elegance into everything she touches, whether it's a small, temporary apartment, a huge French château, a simple meal, a feast for the neighborhood, or a birthday Easter basket for an enchanted guest. Our tastes differ in many respects: not only am I incapable of the amazing feats of home decor Vivienne achieves, but also I wouldn't want that for our house. It's not my style. That does not stop me from standing in awe of the beauty that looks as if it could be in a museum. What she does with food, now—that's welcome in our house any day.
Watching the Chateau Love videos, you might assume that Vivienne and Simon must be wealthy. I assure you they are ordinary human beings with ordinary human struggles and no trust funds! Vivienne is incredibly talented at finding bargains as well as making something both useful and beautiful out of items the rest of us would casually toss in the trash. (See the "Louis XVI coathooks" in Episode 2.)
Vlogging is a new project for them, a bit of pandemic-and-lockdown-stress relief. I'm also excited to watch the growth of Chateau Love as they gain experience and new equipment. May this be a very long-running show!
Below are the first three episodes. So far they have each been just under 30 minutes long, and published on a once-a-week schedule. As a bonus, you can hear music by Vivienne's talented singer sister, Ashley Locheed. And you can occasionally catch glimpses of Janet & Stephan's flower girl—much grown up.
Episode 1: Romance, DIY, A Dodgy Haircut & Who We Are!
For some reason the second video is not playing here on my blog, though the first and third are. You can see it on YouTube itself by clicking on the title link. I'll leave the embedded video up while I try to find out what's going on.