I would not do well on one of those music school "drop the needle" tests, in which one needs to name a piece of music based on hearing a small excerpt. It's not that I can't recognize the music—often just a few measures, even a few notes, is enough to bring forth, "Ooo, I know this piece! What is it?" I know that I know it, but identification often eludes me. What's more, I sometimes recognize brief motives from one piece of music in another, and that's even harder to pin down. I had no trouble identifying The Phantom of the Opera in the praise song, You Are My Hiding Place, but the hymn, Jesu, Jesu (1982 Episcopal Hymnal #602) was another story. There are four measures in the verse part that stung me on first singing with that "why do I know this?" feeling and I was never able to determine an answer. One day, listening to Vivaldi's "La Primavera" (from The Four Seasons), I finally found it: there in the third movement, clearly the same motive. Not that there was any sharing between Vivaldi and the Ghanaian folk song that is the basis for the hymn—it's a simple phrase, bound to show up independently in many places—but I was thrilled to make the connection in my mind and resolve the mystery.
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