I was eleven years old when the Beatles first came to America. The cultural effect, as viewed from sixth grade, was more momentous than the Cold War. Air raid drills—filing out of the classroom at the sound of a siren, covering our heads and leaning up against our lockers—we considered a normal part of life, but the Beatles dropped like an atom bomb on our world.
Their debut on The Ed Sullivan Show left me less than impressed. I couldn't see what all the fuss was about. Truthfully, I still don't. Oh, I listened to Beatles songs, I sang Beatles songs, I even almost liked Yesterday. That was the cultural water we swam in, back in the mid-60's.
My negative feelings toward their music were exacerbated by a detested art teacher. No doubt my memory does her a disservice, but I hated her looks and style of dress, especially her heavy makeup, which bordered on scary—and most of all I hated that she single-handedly dismembered, destroyed, and demolished any thought I may have had that I could ever learn to draw. Art class was torture to me, and the fact that she insisted on playing Beatles records while we worked added injury to insult. I'm sure she thought she was doing us a favor, and I suppose that for most of my classmates she was right.
Some of the boys and nearly all of the girls were stark, raving mad about the Beatles. I never saw anything like the screaming crowds and high emotions that followed them wherever they were glimpsed. It's possible that my dislike of crowds and my distrust of mob mentality had their birth right there. I always say that the 1960's have a lot to answer for.
That's the backstory.
Our choir director recently went to New York City to attend a workshop. Broadway musicals being for him a large part of both vocation and avocation, he attended several while he had the opportunity. At one of them, he recognized the man who sat down beside him: Sir Paul McCartney.
Knowing Tim, he was (outwardly) cool and calm and didn't even trouble the man for an autograph. Inwardly I can only guess.
Being faceblind, I wouldn't even have recognized the former Beatle. Besides, I'm the kind of person who can go to New York City for two weeks and never see a Broadway show, preferring to spend all that glorious time in the New York Public Library. It was thrill enough for me to run into Gary Boyd Roberts, the New England Historic Genealogical Society's genealogist who guided my first faltering steps in family history back in Boston seventeen years ago. (For those who are wondering, I had no trouble recognizing him, because I heard him speak before I saw him.)
But had they been in Tim's position, most of my female friends in middle and high school would have fainted on the spot.
