I LOVE the Independence Day parade and festivities in Geneva, Florida. I've written about it many times. We were small in numbers this year, but infinitely bigger than in 2020, when there was nothing at all. Thanks to Liz, our organizer and director-by-necessity, and to the good people of Geneva, marching in the parade was still a blast. The event organizers tell us that our antics are "one of the most frustrating things, and yet one of the things that the parade goers enjoy the most."
Thanks to the fact that the Fourth was a Sunday this year, Geneva's party was held a day early. And the federal holiday is a day late, so we enjoyed three days of festivities. Less happily, our neighbors have been making it a week-long holiday with their fireworks. It's a good thing the drought has broken.
The best part of the parade is interacting with the crowd, and hamming it up with my cymbals as we march along. Porter does the same with the water wagon (and its following shark). All it takes is a willingness to leave all pride and self-respect behind as the parade steps off.
I'll have to admit that the cymbals get heavier with every year, and running to catch up with the band—after letting a small spectator "help me out" by banging the cymbals—now leaves me a bit winded. It's a good thing Porter (aka Gunga Dad) is always ready with a drink to keep me hydrated!
The people of Geneva are always so warm, friendly, and encouraging. They love our country, their heritage, and their band. We didn't start in Geneva; 30 years ago we were the World's Worst Marching Band and played gigs not only in Central Florida but as far away as Atlanta and Philadelphia. Geneva at its worst couldn't outdo the heat of Atlanta's Independence Day parade, when Peachtree Street's pavement melted under our feet and (thanks to Gunga Dad) we were the only band not to have someone faint. But when the World's Worst Marching Band put itself out to pasture many years ago, Geneva welcomed us as their own.
One of the exhibits we checked out this year was a travelling exhibition of artwork created using wood from The Senator, our much-beloved and long-lamented bald cypress, which was the oldest in the world when it was destroyed by a careless drug user in 2012. I was expecting something tacky and touristy ("Get your gen-u-wine Senator key ring here!") but it was nothing of the sort. Rather, it was moving and respectful, telling the story of the tree and displaying beauty from ashes through art.
