Lift Up Your Hearts!

The Virus and the Vaccine is a cautionary tale about the hasty development and widespread, rapid distribution of a vaccine against a devastating virus, created using a brand-new technology. It's a fascinating and frightening story, and my review is here.

I posted that review in 2005; the story has nothing to do with COVID-19.

The virus was poliovirus, and the vaccine was the Inactivated Poliovirus Vaccine, developed by Jonas Salk. The new technology was growing the polio virus in cultures made from ground-up monkey kidneys, instead of the traditional time-consuming process of using living monkeys. This sped up the research enormously and made the rapid development of the vaccine possible.

Polio was in the midst of a tremendous surge at the time, and parents welcomed a vaccine against the terrifying disease, which killed and paralyzed and particularly targeted children.

But there was a time-bomb hidden in the vaccine: SV-40, a monkey virus that survived inadequate purification procedures to contaminate nearly every dose of polio vaccine between 1954 and 1963, affecting about a hundred million people in the United States alone. (I was undoubtedly one of them.) Even after the contamination was discovered, the dangers were downplayed—contaminated batches were not recalled, but continued to be used—because it was widely accepted that the monkey virus, being from a different species, would do no harm.

Unfortunately, that proved to be a false and costly assumption. SV-40 is now known to be carcinogenic, and since the mid-1990’s has been discovered in many formerly rare brain and bone cancers, as well as lymphomas and leukemias. Is this a cause and effect connection, or a coincidence? The government and medical authorities are still downplaying the issue, because it does not concern the present-day polio vaccine. But even though the Centers for Disease control say in one place on their website that there is no connection, research reported on another page flatly contradicts that.

Does it matter now? SV-40 is no longer contaminating the polio vaccine. As calamitous as these cancers are, when weighed against the devastation caused by the polio virus itself, it is a reasonable post-facto conclusion that the benefits of continuing to administer the contaminated vaccine outweighed the risks.

What does matter is that the authorities of the time were wrong about the science, and knowingly exposed over half the population of the United States to the contaminated vaccine.

Polio was such a devastating and commonplace childhood disease that parents willingly, nay eagerly, accepted the assurances of the authorities and authorized the vaccine for their children.

Back in 2005, I ended my review of The Virus and the Vaccine with a pro-vaccination message, which I still believe today. But my confidence in the governmental and medical authorities is now at an all-time low, and Big Tech has joined that list. Our vaccine production may be safer today—though maybe not, given that many vaccines are produced in China—but it's abundantly clear that we still get the science wrong, we still suppress information, and we still interfere unreasonably in the medical decisions of others.

Having finally discovered how to embed a piece of a YouTube video, I can't resist showing a few seconds of chef Gordon Ramsay inadvertently demonstrating what I've been told again and again about chefs' seasoning measurements: they're much more generous than home cooks imagine.

The good news is that even with these larger quantities, home-cooked food usually contains less of these ingredients than processed foods and what you get at most restaurants.

Here's the whole video (15 minutes). Be forgiving of the camera work here: instead of his usual crew, his children are doing the work. They are about the only ones who get to talk back to Gordon Ramsay.

I find Chef Ramsay very interesting to watch. Here's his YouTube channel. Apparently he has a bunch of television shows as well, but not on any channel we can get that I've discovered. I've learned a lot watching what I can, however—from cooking tips to what makes a good restaurant or hotel.

Ramsay comes with a big warning, however: his language is appalling. He can clean it up when he wants to, as this video with his children attests. But what's available on YouTube is all over the map: from clean to bleeped out to uncensored. You all know how much I object to such language, but I find that in his videos it is so incredibly common it's laughable, and almost as impotent as "um" or "like" in other people's usage. It's more incredibly annoying than offensive—like his use and overuse of the word "literally." So far I've been willing to put up with annoying for the learning experience.

When I was very young, my mother used to make apricot-pineapple conserve. I have the recipe; it's simple, just dried apricots, crushed pineapple, and sugar. The tricky part is that the mixture, while cooking, bubbles and spits and must be stirred constantly. My father made a long, L-shaped wooded paddle so she could stir from beyond the surprisingly-long range of the very hot mixture. When my mother made conserve, it was an event.

Which may be why I've only tried the recipe once or twice. That, coupled with the fact that Porter doesn't care much for apricots and even less for pineapple, so other jams take much higher priority around here.

But I miss it, and am always eager to try it out when I find a jar in the grocery store. But those occasions are rare.

Then I got smart.

There, at our local Publix, was the solution. Well, not the ideal solution, but a great deal easier than making my own. Mixed together, the flavor is just about as I remember it, though the texture is a bit thicker. One of these days I still plan to make it from scratch, even though I lack my mom's amazing paddle. But in the meantime, this provides an awesome gustatory memory.

Brandon Sanderson, in addition to taking obvious pleasure in his work, appears to have discovered why it's so much fun to be rich. I don't mean super-rich—I'm sure that comes with 'way too much responsibility to be really enjoyable. Net worth calculations can be tricky, but the best I can find online is that Sanderson is worth somewhere between four and eight million dollars. If Elon Musk's net worth of more than 270 billion dollars (as of 3/26/22) were a one-liter bottle of liquid, Sanderson's would be about half a drop.

That being said, Sanderson has enough money to do random fun things with it. With five days to go on his most recent Kickstarter project, (now finished) his support level was over $34 million and still counting rapidly. It hardly needs to be said that the money is not profit, but will go towards the project it is funding. Still, the response prodded him to consider how he might give back a bit to the Kickstarter community.

He and his staff decided to take a look at the Kickstarter projects in the Publishing category, and to back them all, excepting only those which might violate his conscience or Kickstarter policies. That ended up being over 300 projects, several of which he highlighted as projects his own fans might like to look into. Occasionally, if the project was near the end of its campaign and seemed to be struggling, they made sure the project reached its goal.

Watching the YouTube video of the process (best done at double speed), I could feel the joy Sanderson and the team were feeling in helping out other writers. I know some find his personality abrasive, but I like his enthusiasm.

I only hope that he's inspired to do something like this when my nephew is ready to publish his first fantasy novel!

After some pondering, I think I now understand better why some people go overboard when it comes to wearing masks.

Let me clarify one thing first: I don't apologize when I wear a mask; I don't apologize when I don't wear a mask. God knows I have enough to apologize for, but masks are not one of them. Please don't apologize to me for your own mask status; it's your decision, and absolutely none of my business.

Another thing: I am not talking about people wearing masks because they or someone close to them are at special risk. Or want to take extra care because of an imminent event, such as surgery, or travel. Or because it's oak pollen season, or even in hopes of filtering out someone's cigarette smoke.

But aside from all that, there are definitely people who seem to see wearing masks as talismans, or some sort of religious duty independent of risk of disease. Wearing a mask while driving alone with the windows up. Wearing a mask outdoors with no other human being within 100 yards. You know what I mean; I'm sure you've seen it yourself.

My question was, why? And I think I have an answer.

For 62 years, my eyes were protected from flying objects—bugs, dust, wood chips, branches that fly back and slap me in the face when hiking—by my eyeglasses. And then I had cataract surgery, and suddenly didn't need glasses anymore. Not for distance vision, anyway. Until my eyes were stable enough after surgery to get progressive lenses (a few months), I only wore glasses for near-distance work. And you know what? It drove me crazy. Oh, it was wonderful to be able to see without glasses! But I became paranoid about my eyes, because they no longer had their protective shields. No matter how many times I reminded myself that nearly everyone in the history of the world has managed just fine without glasses, it still freaked me out.

Other things, too. For most of my life I managed just fine without a cell phone, and now I become quite anxious if I discover I've left the house and forgotten my phone. Even though in an emergency there are sure to be many other people with phones around to help out.

When we moved back to this house after living in Boston for a while, we found that our tenants had installed chain locks on our doors. We had never had them before, never wanted them—but now we use them, because they're there. It doesn't seem quite safe not to, even though it always was.

You can think of your own examples, I'm sure. Auto seat belts. Bike helmets. Freaking out if a baby is put down on his stomach instead of his back. The certainty that the unvaccinated person on the subway is going to give you a fatal case of COVID.

Anytime our awareness of risk has become heightened, we fear to deviate even slightly from that which we associate with protection.

I remember vividly, though it was decades ago, when a friend, an ambulance driver, firmly assured me that child car seats are good, but they are not magic.  Unfortunately, we humans have a tendency to respond better to superstition and magic than to reason and logic.

Our first reaction on hearing of misfortune is not one of sympathy, but to ask the questions that will separate ourselves from the unfortunates: Was he wearing a seatbelt? Is she a smoker? Were they vaccinated? If we can draw a line that places ourselves on the righteous side, we assure ourselves that the victims have only themselves to blame and it will never happen to us. As my friend pointed out, this is 100% the wrong attitude. It is both inhumane and inaccurate.

I've even caught myself putting on a mask in a low-risk situation because I knew I'd blame myself if I got sick and had to cancel an important occasion. Even though the chance of that being the case was infinitesimal, and I knew it.

But I didn't catch COVID in the "free state" of Florida, which much of the rest of the United States thinks oh-so-dangerous because our COVID rules have always been on the relaxed side.

I caught it in France, a country that doesn't even let you cross the border if you are not fully vaccinated, and in a situation were the people I was with were COVID-tested every single day.

You just never know. Things happen.

Perhaps the best thing we can do is be patient with each other, even if our paranoid tendencies manifest themselves in different ways.

The first step in taking control of a nation is the simplest. You find someone to hate. ... You will find that hate can unify people more quickly and more fervently than devotion ever could. — Brandon Sanderson (Elantris)

Hatred is not an emotion that is foreign to us. Its presence in the world does not surprise me. What I find shocking is how easy we are manipulated into hating.

No one has to convince me to root for the Ukraine in the current conflict with Russia. After all, I'm a child of the Cold War, when the Soviet Union was always our number one enemy. In this case, they are obviously the invaders, perpetrating atrocities, and even threatening nuclear war. We remember Georgia, Crimea, Belarus, and ask, "Where will it stop if it doesn't stop here?"

But two thoughts give me pause.

First, the level of anger and hatred I see, directed against anything Russian (even harmless Ukrainians with Russian-themed businesses in the U.S.), exceeds reason—as I have seen increasingly on other issues in recent years. We are in grave danger of losing sight of the essential humanity of the Russian people, much as the people of Germany once lost sight of the essential humanity of their friends and neighbors.

Second, while the flame of anger arose naturally in our hearts, it has been and is still being unnaturally accelerated into this disastrous conflagration. Politicians, corporations, educational institutions, news organizations, social media, celebrities of all sorts, our own friends—the push is on to view the Ukraine as totally innocent victims and Russia as completely irrational, evil villains. Merely to suggest that Russia might have had legitimate fears and concerns that led to the move to "liberate" the Ukraine, or that the Ukraine might not be completely free of corruption and illegitimate actions, is to bring down the wrath of all who want to see (or who want us to see) this as a battle between absolutely good and absolute evil.

Even if that were true—and nothing in this world has that kind of clarity—it's bad policy. Unless you really want World War III.

But here's what's really concerning me: I am convinced that if "they"—used metaphorically, not specifically—wanted the completely opposite reaction, they could just as easily have engineered that instead. You don't need to posit a conspiracy behind the power of this behemoth conglomeration of government, media, academia, financial institutions, entertainment, big businesses, Big Tech, and ordinary peer pressure. Ideas themselves have power, and when all these very powerful entities align to push an idea, it becomes almost irresistible.

The beginning of resistance is to step back and ask, "Where did I get this idea? What is driving my response?"

How does this guy know what's going on in my brain? Maybe it's Google's fault.

It was years ago that I learned to understand the way my brain works using the image of Li'l Writer Guy. That is still 100% true, but there's more to it. Recently I discovered this video ("Me and My ADHD," 4.5 minutes).

I don't have ADHD, but there's more to life than diagnoses. I think many of us will identify with this kind of distractability.

Speaking of ADHD, here's another one by the same folks (under 4 minutes). Just for fun.

(Part 1) (Part 2) (Part 3)

Faith's new flight arrangements required us to get to the airport earlier than planned, so church was the only big event of the day (besides flying home). In truth, it would have been the big event no matter what else we had scheduled. Worshipping at Father Trey Garland's new church, St. Paul's By-the-Lake in the Rogers Park neighborhood, was the reason we made this trip.

St. Paul's is not within walking distance from the Palmer House. It is, however, within walking distance from the Jarvis L stop, so that's what we did.

We had planned to go out to lunch with Father Trey after the service. An unexpected death in the congregation made that impossible, however, so we were very thankful for what seemed at the time to be a very annoying mistake.

For some unknown reason, our cell phones, which were set to change time zones automatically, occasionally and apparently randomly flipped back and forth between Eastern and Central Time. Unbeknownst to him, this happened to Porter's phone while we were enjoying a leisurely breakfast at the Corner Café. He looked at the time as we were getting up to leave—and suddenly we were running for the train. We made it, and only later realized we had arrived at the church an hour early.

Which, as I said, turned out to be perfect, as Father Trey had time between services to give us the grand tour of the church and the rectory. It was wonderful to see him again and catch up a little bit. Then there was the service itself....  (Only masks required.)

I don't expect most of my readers to comprehend what it meant to me to worship at a service that used both the 1928 Prayer Book and the 1940 Hymnal.  We received a warm welcome in the service and a personal prayer for our travels. And most of the the service was SUNG. (Not the sermon, in case you were wondering, though I wouldn't put it past Father Trey to try that sometime.)

My heart overflowed.

All too soon, we reluctantly said farewell and made our way back to Midway. We had much more time than we needed, but given the circumstances and the fact that there wasn't really time to do anything else of substance, we decided to spend our waiting time at the airport, on the other side of security. After dinner, we saw Faith off to Baltimore. Her "grandmothers" (me plus the two choir ladies) may have been a bit nervous, but she was looking forward to having a couple of hours with an airport to explore and $20 to spend.

Finally, it was our turn. After an uneventful flight and drive from the airport, we arrived home very nearly the same time Faith did.

The unanimous conclusion was that any time Porter wants to exercise his travel agent skills and organize another trip, this group will be happy to sign on again. But perhaps in a warmer season.

(Part 1) (Part 2)

For breakfast, we once again opted for convenience: the Corner Bakery Café, right next to the Palmer House. (ID and vax pass required, though if we had done take-out we might have been able to avoid that.) One of the reasons Porter chose the Palmer House as our hotel was that it is right in the middle of most of what we planned to do. Our goal this morning, the Art Institute of Chicago, was only a short walk away.

We didn't go there directly, however, but stopped along the way at Millennium Park. (I only just discovered that link, which turns out to be somewhat depressing. First of all, it comes with a bright pink ad at the top for the COVID-19 vaccine. Then there's the list of prohibited items, including jackknives, pets, and suitcases. Chicago is weirder than I thought. For us, it was just a pleasant little city park with an arresting sculpture in the middle. No one asked for proof of vaccination, and we didn't even have to wear our masks. (But we sometimes did, for the warmth.)

On to the Art Institute! (ID, vax passes, and masks required.)

One great advantage of a large museum is that the art is diverse. The weird art and still weirder commentary is there, but it's avoidable. Our party split up here, for maximum flexibility.

The Art Institute hosts an impressive collection of masterworks. For me, one of the most fun was Van Gogh's Bedroom, chiefly because it meant we have now seen all three of Van Gogh's versions of the painting: one in the Musée d'Orsay in Paris (2007), the next at the Van Gogh Museum in Amsterdam (2018), and finally this one (2022).

Those of us who have spent time with Porter in museums expected we'd be there from opening until the museum closed, but as it happened we all ran out of energy at the same time, leaving the museum about an hour and a half early in favor of dinner and some rest before our big evening event: the Chicago Symphony Orchestra concert.

There wasn't as much rest as we had hoped. Did I mention that we were visiting Chicago in the middle of winter? And that on this night a big winter storm was hitting the Northeast? While we were supposed to be resting, we got the news that Faith's Sunday flight from Chicago to Boston had been cancelled. Ours to Orlando was still good, but we were not about to get on a plane and leave a thirteen-year-old behind to spend the night alone in the airport (or even in a hotel). We batted around several possible options, including one in which one of our choir ladies volunteered to give up her Orlando-bound seat to Faith, rent a car, and go visit her sister, who lived a mere four-hour drive from Chicago!

Cooler heads prevailed, however, and as the concert time approached, Faith's mom told us firmly, "Faith has been greatly looking forward to this concert, so go and enjoy it. We will take care of the problem." So off we went, once again on foot, as Symphony Center is only a short walk from the Palmer House. ID, vax pass, and yes, masks were once again the order of the day night. By now were were getting pretty good at the drill, and Faith's extra-large paperwork was still bringing smiles.

While Faith's dad worked on her problem, the four of us had our own work to do once we entered the concert hall. Twenty-four hours before our flight time was just 10 minutes before the start of the concert. Since we were flying Southwest, that meant we were checking in from our concert seats. That could have worked out very well—except that our seats were in a wireless dead zone and the four of us were soon seen scurrying around the lobby waving our phones and searching for a signal. (I found one near the restrooms.) Finally, it was "mission accomplished" for us, and more critically, for Faith, whose dad had found her a flight that went to Manchester, NH with a plane change in Baltimore. Not ideal, with the risk of the connecting flight being itself cancelled, but if Faith and her parents were comfortable with it, who were we to impose our fears on them? Just in time, we were able to settle down and enjoy the music of Vivaldi and Handel. (Click on program images to enlarge.)

Faith, Porter, and I had special seats—behind the orchestra. We were nearly close enough to read the players' music. Most of the musicians had standard sheet music, but the harpsichord player used an iPad with a foot pedal for turning pages.

Best of all was being directly opposite conductor Riccardo Muti and able to see his skill close-up. He did not use a baton, but did all his directing with his hands. Correction—he also used his face, and did not wear a mask. What he did was as far from "keeping the beat" as you can imagine. He sculpted the music. At times he didn't appear to conduct at all, letting the musicians do their work, adding just a small hand gesture here, an eyebrow twitch there. Absolutely fascinating.

We had come prepared for a cold, cold walk in bitter wind after the concert, but it really wasn't bad at all. A balmy 21 degrees and almost pleasant. The coldest temperature I saw during the whole trip was 12 degrees, and at that time I was snuggled warmly in bed.

We had earned our rest this day. The next would bring delight of a different sort.

We interrupt the story of our trip to Chicago to bring you something as beautiful as it is heartbreaking.

S. D. Smith, author of the Green Ember books, wrote:

I’m never sure what to say when world events are so intense and the words of an ordinary children’s author from West Virginia on social media feel so unnecessary. “Stay in your lane,” I tell myself. ... So, while ordinary men kissed their wives and children and turned to fight to protect their homeland from invasion, I wrote. I wrote thousands and thousands of words—in private—on a story that I’ve been working on for many months with my son. I kept at it while a new war in Europe intensified and drew the attention of the world. ... Though it feels relatively unimportant, I think creating and sharing soul-forming stories is of great long-term value. My lane is an avenue that goes straight through the hearts of children God made and loves and intends for his kingdom of light. No small thing. It’s a good little lane. So I write on.

Composing choral anthems is John Rutter's "good little lane." It's no surprise that his response to the tragedy in the Ukraine was to write music. He has made his A Ukrainian Prayer available to choral directors for free, with the suggestion that they make a donation to a relief organization serving the Ukrainian people.

Our choir sang it in church today. Based on the comments we received afterwards, the congregation appreciated both Rutter's music and the fact that we sang it at this time. I'll admit that both the alto and the tenor parts were weaker at the beginning than they had been in rehearsal, due to the fact that the two of us were unexpectedly hit in the emotional solar plexus as we started to sing—and I'm told we weren't the only ones.

Here's not-our-choir, with Rutter conducting. The video starts at the beginning of the piece, but if you want you can go back to the beginning and hear Rutter's commentary. This is sung in Ukrainian; the literal translation is "Lord, protect Ukraine. Give us strength, faith, and hope, our Father. Amen." Our choir sang the English version.

As our own choir director said, "It's not every musician who can just round up 300 of his closest friends to try out his composition."

Bonus for those who know: See if you can spot the point where I did a double-take and discovered our grandson's secret life as an English chorister.

(Part 1 is here.)

After getting squared away at the Palmer House, the next order of business was food. We had planned only one meal ahead of time, having made reservations for "Afternoon Tea & Samovar Service" at the famed Russian Tea Time restaurant. Pricey, but an experience not to be missed. (At the present time, it seems worth noting that the owners are Ukrainian.)

All Chicago restaurants require you to show a photo ID and proof of vaccination, which they scrutinize with exaggerated care. It makes me wonder whether there are undercover spies ready to pounce on the hapless restaurant owner who approaches the task too casually, or if the citizens themselves are eager to rat out a business they think is shirking its duty. Or maybe the culprit is bad eyesight: Our granddaughter's vaccination certificate was an 8.5x11 copy of the real thing, and its easy visibilty made the gatekeepers very happy.

Our next move was to take the train to the John Hancock Center, then ride the elevator to the 94th floor and the 360 Chicago observation deck. (ID and vax pass required, again.) Here's the view looking north.

The view itself was worth the visit, but the real reason we came was for the TILT, which tipped us over for an impressive view down the side of the building to the street below. One of us opted to skip the experience and was thus able to record it.

Here's an outside view from a STRUCTURE magazine article.

For dinner, we chose to eat at Hot Woks, Cool Sushi. It was not spectacular, but close to the hotel and enjoyable enough that we returned the following night. Except for Russian Tea Time, our focus this trip was not on food. My only regret was not having any pizza at all. How can one go to Chicago and not eat pizza? I guess we'll need to return.

Having been up at a morning hour closer to three than four, followed by a busy day, our idea of great night life was a good night's sleep. Who am I kidding? My idea of great night life is always a good night's sleep. :)

Saturday would be quite a full day as well.

Who would visit Chicago in the middle of winter?

There are plenty of reasons to visit Chicago, but the spark that inspired this particular trip was wanting to see our beloved former rector and to visit his new church in the Rogers Park area. But why in January? Let's just say that an expiring Southwest Airlines ticket had something to do with it.

Because of the pandemic, we were able to get a great deal at the beautiful Palmer House hotel in downtown Chicago, the place where Porter had lived back when he was working in the city and IBM was paying the bills. Being able to get tickets for a baroque concert by the Chicago Symphony Orchestra with Riccardo Muti sealed the deal.

Lo and behold, there were two intrepid women from our church choir who chose to brave the weather and take advantage of Porter's travel-planning skills. Our thirteen-year-old niece from New Hampshire—who fears neither cold weather nor solo travelling—also chose to join us. We made a happy and compatible quintet for the adventure.

After meeting up at Midway Airport, we took the L downtown, being thankful for Porter's previous experience with the system. That trip began with a humbling experience for me. I had not yet learned that Chicago L drivers are prone to leaving their stations with substantial lurches and no regard for whether or not their passengers have actually found a seat. I was in the process of moving into one when suddenly I found myself flat on my back in the aisle. I consider my balance to be very good, and actually practice recovering from such jerking about when I can. In this case, however, I had neglected to take into consideration that the substantial backpack-suitcase I was carrying had altered my center of gravity. Boom—there I was, as helpless as a turtle and in noticeable pain. My fellow passengers came to my rescue, and very soon the physical pain was much less obvious than the embarrassment. I blessed our thrice-weekly water aerobics classes with their emphasis on strengthening exactly those muscles that had sprung immediately into play to protect my spine. It turned out to be two weeks before those muscles fully recovered, but outside of a little stiffness, the injury gave me no problems the rest of our trip.

Checking into the Palmer House went smoothly—almost. That's when I ran into a problem of a different sort: a crisis of conscience. We had been warned to bring masks and vaccination certificates with us, but were still shocked at the reality that met us in Chicago.

We could have gone straight to our rooms without showing our cards, but that was all. Attempting to sit in the lobby and talk while waiting for our restaurant reservation time provoked an immediate response from a lurking vulture hotel official, who demanded our papers and, after closely scrutinizing them, branded us with a wristband like those you get at some amusement parks. I was not amused. To begin with, I hate those things. I don't wear necklaces, bracelets, or any ring except for my wedding ring; frankly, that kind of constriction Freaks. Me. Out. I hope I never have to break the law, because I will not do well with handcuffs.

But that's just me; it has nothing to do with my conscience. That comes in because I strongly believe that the division of society into Vaccinated and Unvaccinated, along with discrimination against the latter, is immoral. I like to think that in Nazi Germany I would have been among the brave gentile German citizens who chose to wear the yellow star to demonstrate solidarity with their Jewish brothers. But in this case, I caved.

After about five minutes of torment trying to find a way out of the wrist band, I decided to pretend I had entered a foreign country, instead of another American city. After all, when we visited the Gambia I wore a long skirt every time I went out in public, out of respect for the local customs. And I never wear skirts. Foreign cultures often make one do things that seem unreasonable. Armed with that insight, I was able to manage the rest of the trip, even though everywhere else we went, with the notable exception of church, public transit, and outdoor spaces, required us to show our papers (proof of vaccination and photo ID). Porter found the experience unnervingly similar to his visit to East Berlin in the 1960's.

That's enough about the bad part. In all other ways, our Chicago experience was fantastic! (More to come.)

I've backed a few Kickstarter projects in my time, at the intersection of an interesting concept, a person or cause I'd like to support, and an affordable price. That's how my beloved Green Ember books began, though they've since moved on to more standard publishing.

That's not a one-way street. Brandon Sanderson—my eldest grandson's favorite author, whose books are prized by several others in our family, including me—has a current Kickstarter project going, even though he's multi, multi-published in the ordinary way.

But I don't think I'll be backing this one.

First, the lowest tier of support is $40, which is not exorbitant considering you get four e-books at that level, and $10 is a pretty standard price for his books on Kindle. But I can easily wait for a sale. I'm a fan, but nowhere near a FAN fan.

More importantly, Sanderson hardly needs my support. Even after deciding not to back the project, I've been checking in occasionally on the Kickstarter page for the amusement of watching the numbers climb. When I was a young child, I loved to watch the numbers grow on the gas pump as the tank filled, and I always rooted for a new record high. My parents didn't quite share my enthusiasm.

Sanderson's project is now the number one Kickstarter project of all time, and that by a huge margin.

I thought a million dollars was an ambitious goal, but apparently it had reached ten million before the first day was over.

Eighteen days into the campaign, I captured the following screenshot:

It will be much higher by the time I hit, "Publish." The pace has slowed a bit, but you can still watch the numbers grow in real time, even if it's now more of a 1950's gas pump pace than 2022.

More than 17,000 people have backed this project at the highest ($500) level.

How's that for an author most of you have never heard of?

Porter has been doing yeoman's work sorting through the information, misinformation, and distorted information available to us about the war in the Ukraine. I don't have the patience. But it is amusing, when it's not depressing, to listen to him watching the nightly news: "They're reporting as new something I heard about yesterday," and "that video is at least three days old."

In the process, he discovered Chris Cappy. He's an Iraq vet with an informative and entertaining style that goes so far as to make military history, weapons, strategy, and tactics interesting even to me. His updates on the war are—as far as in my ignorance I can tell—knowledgeable and fair, with a minimum of emotion and propaganda.

The following video (24 minutes) is a good example, which not only gives an update on the war (as of March 15), but makes a good case for why Big Tech's shutdown of Russian sources on social media is dangerous as well as insulting.

Remember 2019?  Must have been at least a decade ago, right?  Who'd have thought we could pack so much pandemic, riot, and war into two years.

Nonetheless, my post for March 16, 2019 is at least as appropriate now as it was then, so I'm repeating it.

Sandwiched between 3:14 (Pi Day) and 3:17 (St. Patrick's Day) is

3:16 (Greatest Love Day)

John 3:16, that is.

For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.

In honor of which I present this beautiful anthem, John Stainer's God So Loved the World. No, that's not our choir. But Porter and I have sung this many times and it's one of our favorites.