Lift Up Your Hearts!

I was eleven years old when the Beatles first came to America. The cultural effect, as viewed from sixth grade, was more momentous than the Cold War. Air raid drills—filing out of the classroom at the sound of a siren, covering our heads and leaning up against our lockers—we considered a normal part of life, but the Beatles dropped like an atom bomb on our world.

Their debut on The Ed Sullivan Show left me less than impressed. I couldn't see what all the fuss was about. Truthfully, I still don't. Oh, I listened to Beatles songs, I sang Beatles songs, I even almost liked Yesterday. That was the cultural water we swam in, back in the mid-60's.

My negative feelings toward their music were exacerbated by a detested art teacher. No doubt my memory does her a disservice, but I hated her looks and style of dress, especially her heavy makeup, which bordered on scary—and most of all I hated that she single-handedly dismembered, destroyed, and demolished any thought I may have had that I could ever learn to draw. Art class was torture to me, and the fact that she insisted on playing Beatles records while we worked added injury to insult. I'm sure she thought she was doing us a favor, and I suppose that for most of my classmates she was right.

Some of the boys and nearly all of the girls were stark, raving mad about the Beatles. I never saw anything like the screaming crowds and high emotions that followed them wherever they were glimpsed. It's possible that my dislike of crowds and my distrust of mob mentality had their birth right there. I always say that the 1960's have a lot to answer for.

That's the backstory.

Our choir director recently went to New York City to attend a workshop. Broadway musicals being for him a large part of both vocation and avocation, he attended several while he had the opportunity. At one of them, he recognized the man who sat down beside him: Sir Paul McCartney.

Knowing Tim, he was (outwardly) cool and calm and didn't even trouble the man for an autograph. Inwardly I can only guess.

Being faceblind, I wouldn't even have recognized the former Beatle. Besides, I'm the kind of person who can go to New York City for two weeks and never see a Broadway show, preferring to spend all that glorious time in the New York Public Library. It was thrill enough for me to run into Gary Boyd Roberts, the New England Historic Genealogical Society's genealogist who guided my first faltering steps in family history back in Boston seventeen years ago.  (For those who are wondering, I had no trouble recognizing him, because I heard him speak before I saw him.)

But had they been in Tim's position, most of my female friends in middle and high school would have fainted on the spot.

On July 19 our touring Girl Scout group had left London and a madcap sightseeing itinerary behind and settled into a hostel of sorts at Hemsby Beach in Yarmouth, England. July 20 was a day of rest and recreation for us, for which I was grateful, as there was a television set in the camp on which we were able to watch the Apollo 11 moon landing. Not well, because it was a small TV, almost certainly black and white, and the room was packed—but we saw it.

My journal tells me just those bare facts, because I poured my stream-of-consciousness "live" reactions into a letter that I sent to my family. It's possible I have that letter somewhere, and if so I hope to unearth it in my lifetime. But sadly, that time is not now. As a long-time science student and science fiction fan, with grandparents who lived in Daytona Beach and an uncle who worked as part of the space program, this was a big moment for me. I'm glad my once-in-a-lifetime (or so I thought) trip to Europe didn't cut me off completely from the joys and triumphs of the moon landing.

Mrs. B. made us all go back to our rooms at midnight, so I was once again grateful to have my contraband radio. Several of us huddled together in the tiny, one-room "chalet" I shared with my friend Laurie, and stayed up all night following the coverage so as not to miss Neil Armstrong's first step onto the moon.

Fifty years ago a few intrepid adults gathered a flock of teenaged girls and took them on a tour of Europe. What were they thinking??? The group primarily comprised members of a Girl Scout troop from the little village of Scotia, New York. That had been my own troop until my family moved to Wayne, Pennsylvania after my freshman year of high school. But we had been working for this trip for years, and didn't let the move keep me out: I joined the rest of the gang at JFK airport. The longer I live, the more I marvel at the energy and courage of the chaperones, especially "Mrs. B.," an extraordinary English war bride turned American citizen who was our troop leader. What a world-expanding, eye-opening opportunity that was for a group of small-town “innocents abroad.”

It was a once-in-a-lifetime opportunity, I was sure. Whenever else would I have either the desire or the opportunity to return to Europe? That’s how little we can imagine what the future holds for us.

While we were walking through lands that were strange and new to us, Neil Armstrong took the first steps of a human being on our moon. The world available to travellers has continued to expand—though not, alas, to the moon. 

July 16, 1969 was an extraordinary day. Having already visited Paris, several places in Switzerland, and Lake Como, Italy, we were then in London. The day began with a tour of Girl Guide headquarters, of which I remember nothing except that near the end someone mentioned that it was nearly time for the liftoff of Apollo 11. I still have the little notebook in which I kept a brief journal of our trip.

We entered a room where we could sit down, so I snuck out the earphone of my radio and turned it on just in time to hear, "We have liftoff!" I jumped up, pulled out the earphone, and we all [in my tour group] listened until the station left the Cape, after Staging. Everyone shouted and waved a U. S. flag Mrs. B. had bought. I learned [then] that we weren't supposed to have radios, but no one minded.

From there we walked to the U. S. Embassy. The Embassy visit was my baby, because Robert Montgomery Scott, special assistant to Ambassador Walter Annenberg, was from the town where my family was now living. How my mother persuaded Introvert Me to contact him I have no idea—but she did, and he responded gallantly, inviting our group to the Embassy for a tour. We were wearing our Girl Scout uniforms. Mrs. B., though often relaxed and informal, was firm about protocol.

We arrived about 3:20, changed shoes [from our walking shoes to heels], put on gloves, and entered.

I was embarrassingly naïve, and easily impressed.  But it was a fine experience.

I told a man at a desk who I was; he knew I wanted Mr. Scott and said he would get him. A man came later to take me to the Ambassador's Office—at first I thought he was Mr. Scott and shook his hand. Oh, well. He took me up to "hallowed ground." Mr. Scott took me into his office—a very nice guy. We talked over his plans for the group. He got a call from Mrs. Annenberg. He took me on a sneak preview tour of part of that floor, including the Ambassador's office. Very nice. Then downstairs to meet the rest. Another man was to conduct the tour (although Mr. Scott came with us), and it thrilled me no end when Mr. Scott introduced me as "a neighbor of mine from Wayne." Wow! The tour was great but short, and we ended up in the basement for Coke (with ICE) and cookies. It was sweltering, and our first ice since home. We next went next door to the Embassy Auditorium to watch on color television a program on Apollo. Unfortunately, they showed no shots of the liftoff and we had to go. But a very successful visit, I think everyone decided.

But the day wasn't over, not by a long shot.

In other cities we had stayed in youth hostels, and once in a convent, but in London our group was parceled out in different lodgings. My own, with a few other girls and a chaperone, was a small private house. It had seemed delightful, but when we returned around dinnertime the atmosphere had changed drastically. I never did get the whole story, but apparently there was some misunderstanding and/or disagreement between the woman who had welcomed us, and her husband who showed up later. Things got loud and scary, and we were hustled out of there and onto the street with barely time to stuff things randomly into suitcases and coat pockets. We did find another place to sleep that night, though I have no memory of it.

All that excitement meant that we missed the first half of the first act of Mame, starring Ginger Rogers. It was still a great experience, and I had my program autographed by a few of the cast members, including Ginger Rogers. We caught the last train, missed the last bus, and had to walk a long way—but we were young. As I said, it's the chaperones who impress me.

And the moon landing. More on that later.

I've been looking over some of my posts from years ago, and rediscovered this inspiring short film.  Take a 16-minute break and smile today.

Three cheers for small-town America! I know small towns and villages can be narrow and stifling and ingrown—but they can also put on festivals that warm my heart and give me hope for our country. I love the Independence Day parade and party put on by little Geneva, Florida, an eclectic and heart-warming mix of modern America and old-time Florida. And I'm sure that if I were in Hillsboro, New Hampshire this weekend, I would love their Fest and Fair, which sounds like something from my own childhood. Until this year, the event was called the Balloon Festival and Fair.

Long ago, nine balloon pilots lived in Hillsborough. They’ve all left or stopped flying, and balloons have become too expensive for the fair, which serves as a fundraiser for local firefighters and service organizations, Daley said, so the Hillsboro Balloon Festival and Fair has dropped “balloon” from its name.

The man quoted above is Jon Daley, our son-in-law. In addition to being one of the town's three selectmen (the form of local government in New England), he is a fireman and an EMT with the Hillsboro Fire Department, and his wife (our daughter) is part of the Ladies' Auxiliary, so planning for, working at, and attending the Fest and Fair is mandatory in their family.

Mandatory—and fun, at least for the kids, even without the balloons. I suspect one or more of our grandchildren may be running a lemonade stand there, too.

The fair hopes a bigger car show and a new skillet toss will bring fresh air.

The skillet toss must be New England's equivalent of Geneva's cow-chip toss (which in these modern times does not use the real thing, in case you were wondering).

Aside from the lack of hot-air balloons, there was only one thing I found depressing about the article:

[This year] here will be cheaper beer. “Before we had fancy beers, and everyone said they don’t like fancy beers, so we’re doing Bud and Bud Light,” Daley said.

Better stick with the lemonade.

The fireworks – “a lot better, a lot bigger, a lot longer than any of the other small-town stuff,” according to Daley – are back. So is one of last year’s hot draws: the unicorns. “This year they’re bringing two bigger horses too,” Daley said, clarifying that he meant to refer to horses’ elusive and horned relatives.

I know a couple of Swiss granddaughters who would want to come to the fair for the unicorns alone.

Admission is free, though some activities may cost money, and parking is $10 per car. No animals, aside from working service dogs, are allowed.

And unicorns.

It's time to reprise a favorite G. K. Chesterton quote.

Sex is an instinct that produces an institution; and it is positive and not negative, noble and not base, creative and not destructive, because it produces this institution.  That institution is the family; a small state or commonwealth which has hundreds of aspects, when it is once started, that are not sexual at all.  It includes worship, justice, festivity, decoration, instruction, comradeship, repose.  Sex is the gate of that house; and romantic and imaginative people naturally like looking through a gateway.  But the house is very much larger than the gate.  There are indeed a certain number of people who like to hang about the gate and never get any further.

— G.K.'s Weekly, January 29, 1928

Item: Football player Colin Kaepernick kneels before the American flag during the National Anthem as a protest against racism in America, and kicks up a storm of protest and counter-protest. He is accused of being disrespectful to the flag and the country.

Item: Nike, the shoe company, decides to make an Independence Day-inspired line of sneakers featuring the "Betsy Ross" flag, then reneges when Kaepernick objects, saying that the flag is a symbol of racism.

Item: Another shoe company takes up the slack—and I'd say the profits, except those are apparently going to a veterans' charity—and starts producing shoes with the Betsy Ross flag design. It is cheered by those who are offended by both Nike and Kaepernick.

Has the world gone totally mad?

No one can truly know another's thoughts, but I'm pretty sure that when Mr. Kaepernick knelt during the National Anthem he was not expressing his respect for America and her flag. I'm equally confident that the manufacturer of the new shoes sees this as a way to express love for flag and country—giving no thought to the idea that the flags thereon would soon be worn on the feet and dragged through the dirt.

I care nothing for Nike (their shoes are out of my price range) and no more for Kaepernick than is required of me by my claim to be a Christian (usually less, I'm afraid—but I can't blame him for my own fault). But it was firmly impressed on me as a child that kneeling is the ultimate gesture of respect, save only for complete prostration, and that wearing the flag as an article of clothing—let alone footwear!—is disrespect beyond the pale.  I believe that attitude has the force of history behind it.

It's at this point that my inner cynic rises up and declaims, "A plague on both their houses!" How can we hope to communicate when words and symbols have inverted their meanings?

The Story of Christianity, Volume 1: The Early Church To The Dawn Of The Reformation by Justo L. Gonzalez (HarperOne, 2010)

My list of books read this year shows June's tally to be woefully short, a mere two books. In part that shortfall is due to being on vacation with much else calling for my attention, but the primary cause was this 530-page book. I read most of it in June, but it squeaked over into July before completion.

Our rector chose this book for his six-week class in church history. I chose the Kindle version because that enabled me to begin the reading while still out of town—unfortunately we had to miss three of the six classes, and I wanted at least to keep up with the reading.  It wasn't easy, because Fr. Trey set a pace that was blistering even to a bookworm like me, though perhaps not to one who has so recently been in seminary and law school.

But I more than kept up. I finished the book yesterday, and the last class isn't until mid-month. What can I say? Once I get started, it's hard to stop. And I have a new birthday book—Brother Cadfael—calling out to me.

Plus, the book is interesting. The earlier chapters are better than the later to my mind, because the closer the author gets to modern times, the more obvious his biases become. I'm wondering if the trend will continue in Volume 2.

Mind you, I don't hold against him the fact that his biases show, even if they are sometimes frustrating. How can someone write on any subject, let alone one as difficult and as sensitive as history, without leaving the imprint of his own life's experiences? Isn't that why particular people write particular books? But the experience illustrates the truth-seeker's variant of caveat emptor: Be leery of trusting single sources.

I'll spare you the collection of quotations this time, but simply share one of my strongest and most lasting impressions.

As most of my readers know, it is my habit to read through the Bible once each year. I like to switch off different versions, and currently I'm using the one called simply, The Message. I don't doubt that many people find this version useful and enlightening, but for me it combines slogging through a swamp with enduring fingernails on a blackboard, so it's taking me a while to make progress. I'm well into my second year, and still in the Old Testament. The constant grind of God sets us on the right path—we mess up badly—God gets mad and threatens to give up on us—bad things happen—God decides he loves us too much to abandon us completely—God sets us back on the right path—we mess up badly—ad infinitum, is getting really old. This theme-and-variations seems a little repetitive in any translation, but it's orders of magnitude worse in The Message.

Enter this book on church history. History in general has been a weakness of mine ever since I learned in school that one could enjoy/be good at science and math or English and history, but not both. (I know. Surely no one actually said that? But that's what I heard.) About the history of the church I know even less, hence my eagerness to take this class. Reading the book made me glad to be experiencing the Old Testament at the same time. Why?

The impression given in most churches seems to me to be that God did a lot of work through history preparing mankind for the Incarnation—the coming of Jesus—and then considered the job done, with nothing left to do till the Second Coming. That's like jumping from the Garden of Eden to the Stable at Bethlehem, without considering all the years of history and preparation in between. What learning something of church history has shown me is how similar the Anno Domini years have been to those Before Christ. It's the same old song in a different key: make a good start, mess up—sometimes disastrously—receive correction, try again, mess up again, etc. Gradually learning, clarifying, and growing in the midst of and in spite of and even because of some really bad stuff going on. Just like Old Testament Israel.

Everything changed with the birth, death, and resurrection of Jesus. And yet ... plus ça change ... people are still people. God's process of teaching, refining, clarifying, and polishing goes on. His work in and on and through his Church is just as important as his work with Israel. It is much like his work with individuals: everything indeed changes radically when one becomes a Christian, but God's work in us is far from complete.

Why do we learn so much in church about what God does in our individual lives, and what he did with Israel BC, but so little about his work with the Church AD?

Having recently emerged from a long labor, I am again amazed at how like childbirth is the creative endeavor.

The creative endeavor in question was a new book. Not that kind of book, I hasten to assure my friends and relatives who are published authors. My speciality is Shutterfly photo books—primarily for our grandchildren—with titles like The Art of Frederic Edwin Church, The Cantons of Switzerland, and Grandma and Dad-o Visit the Gambia. But if my artistic efforts are on a small scale, they are nonetheless artistic efforts, and extraordinarily like that highest of creative works of which mankind is capable, the co-creation with God of a unique human being.

As usual, this book began with nothing but a joyful idea and a due date: I had an offer for a "free" (pay only for shipping & tax) Shutterfly book with an expiration date of June 30. At that point I had no idea what the book would be about, just that it would be. The project perked along happily in the back of my mind as I occasionally thought about possibilities and laid the groundwork. Ah, the early days, when the delivery date seems so far away! I had plenty of time, and expected an easy "pregnancy."

As happens all too often, life took some unexpected turns, some good, some bad. Complications developed.

We had planned a major trip in May and June, which always plays havoc with my projects, but in this case there were two time periods in which I thought I could count on quiet time for some intense work. During our New Hampshire visit, all of the family but me were to have gone on a four-day camping trip, leaving me alone in the house to create. Later, during the Connecticut portion of our trip, we were to be there a full week before the main event, and our plans were simple: Porter—talk with his dad, work around the house, and play board games with his sister; Linda—work on this project! Almost two weeks of very little else to do? Surely I could accomplish much!

Yeah, right. First monkey wrench? Not long before the start of the trip, Porter experienced what turned out to be an intense sciatica attack. It was a miracle he was able to lie down flat for the MRI—which showed that his spine is a ticking bomb, ready to cripple him whenever the bulge hits the sciatic nerve. Despite this, we prepared for the trip in between medical necessities, and had some unexpected company (of the best kind!); in the end he was feeling well enough to want to make the trip. I wasn't so sure, but by another miracle he managed to make the long, long drive, only stopping more frequently than usual to rest and stretch. We arrived in New Hampshire only one day later than planned, and the camping trip was the following day! At that point, I felt I needed to be wherever Porter was, especially in a camping situation. We both decided to go, and it was great fun.

But there went the first writing session.

The second one was obliterated through two factors: (1) Porter's 92-year-old father became ill, and (2) we decided to bring two of our grandchildren with us when we left New Hampshire. So that week was spent on other activities—those more important than writing and those more fun. That's "fun" in the general sense—I find the creative process immensely satisfying, and yes, fun (most of the time), but not many agree.

When finally home (though not back to normal), I realized my due date was rapidly approaching and something had to be done about it. We all know that induced labors are more intense and painful than natural labors, and so it was in this case. Soon I was in my least favorite part of the book-creating process: wading through huge piles of data, making painful decision after painful decision necessary to make it all manageable. When the pain was at its worst I was ready to give up due to frustration and exhaustion. Of course, I was then in "transition," the point where laboring women are ready to jump out of windows—or defenestrate their husbands.

On to the blissful agony of the "pushing" stage, where the labor pains finally make obvious progress and the end is in sight. I had created the covers—for some reason, having the covers done makes everything else seem possible. I was on a roll. Only the necessities of life stopped me. I love this stage! The work was still tedious and painful: the process of making a photo page consists mainly in deciding what not to use, reluctantly casting aside photo after photo that just won't fit. To use another analogy, you can't make a sculpture without removing the wood or the stone, and the closer you get to the finished work, the more important and delicate each removal is. But oh the thrill as each page fell into place! Normally I'm good for nothing but sleep after nine o'clock at night. I blew past that mark, unheeding. Rarely do I work as efficiently and as effectively as I did that night, despite the lateness of the hour. Nine, ten, eleven, midnight—the hours passed and the pages slowly and steadily fell into place. It seemed nothing would stop me.

But finally, at 3:30 a.m., something did. My Shutterfly deal expired at midnight Pacific Time, and I still had four pages to go. Often, when I've barely beaten a deadline (never this late before!), once the deadline is actually past, Shutterfly will extend the offer by one more day. Not so this time, when I could have used it. By 3:30 it was clear that there was no point in pushing myself any further. I had another offer almost as good that didn't expire for another week. I went to bed at an hour very near to the time I often arise in the morning. Not since the birth of my firstborn had I worked through that much of the night.

The next day I was glad I had gone to bed, albeit for what turned out to be only a couple of hours' sleep, because there was still most of a day's worth of labor ahead of me. Of course, my sleep-deprived brain wasn't as efficient as it had been the night before! But I made it, and—after much more proofreading and editing than if I had finished the book at 2:55 the previous night—I clicked on the "Order" button and the baby was born!

And here's where the childbirth analogy breaks down. I won't actually have the book in my hands for at least a week, for one thing, and for another: with this particular book the pain is gone and the sleepless nights are done.

I chose the subject of this book for two reasons. One: I think it will bring delight to Porter's father, who could use some sunshine in his life right now. Two: since I could make it with no text, and I had plenty of appropriate photos at hand, I thought I could do the job quickly. I even thought of trying Shutterfly's feature where they take your photos and make them into a nice book for you. But I couldn't do it. I just couldn't. I have my standards, and I must tell the story myself. So be it.

The Lion, the Witch, and the Wardrobe ♦ Prince Caspian ♦ The Voyage of the "Dawn Treader" ♦ The Silver Chair ♦ The Horse and His Boy ♦ The Magician's Nephew ♦ The Last Battle by C. S. Lewis (Macmillan, 1950-1956)

I have elsewhere averred that Lewis's Narnia septet is worth reading annually. Not even the rapid growth of our grandchildren has made me more cognizant of the rapid passage of time than realizing that the last time I read these books was in 2010. That was the year I began keeping a comprehensive record of my reading; without it, I would have been certain it had been no more than a few years since my last reading. Wow.

Their turn came up recently in my C. S. Lewis retrospective, in which I'm reading his books in a rough chronological order. They have always been my favorite of his books, and my discovery of Michael Ward's Planet Narnia enhanced my admiration by an order of magnitude.

One thing I noticed this time around—thanks to my awareness of the chronology of his writing—was the salutory effect the entrance of Joy Davidman into his life appears to have had on his view of women. Lewis's attitude towards women sometimes makes me cringe, but as I've become aware of his biography, I'm amazed he wasn't a total misogynist. His beloved mother died when he was very young, and his subsequent experiences with women were not conducive to developing healthy ideas about normal family life and competent, caring females. Even his relationship with Davidman could hardly be called normal.  But she was strong and intelligent, and it's hard not to conclude that the presence in his life of such a woman influenced him to give his female characters more respect as the Narnia series progressed.

That is, if you read them in publication order. I'm 100%, whole-heartedly of the belief that one should read the Narnia books in the order listed above. It is fashionable now to read them in chronological order, supposedly the order Lewis recommended. But if that truly was his recommendation, then I'm bold enough to say he was wrong, even if he is the author. The Horse and His Boy and The Magician's Nephew work very well as flashbacks in the story, much more interesting because of their non-chronological positions in the Chronicles. Scenes in The Magician's Nephew, such as the "planting" of the lamppost, would lose much of their wonder and magic for me if I had not read The Lion, the Witch, and the Wardrobe first. Similarly, I think meetin Aslan for the first time works better in Lion.

This series deserves the highest praise. It's some of the cleverest and most uplifting material I've ever read. I'm sure I would respect it even more if I had better knowledge of Dante, but reading Planet Narnia was eye-opening enough. The only thing that makes me cringe just a bit is that in two of the books the culture of the heroes is clearly modelled on England, while that of the villains is like something out of the Arabian Nights. I think this makes perfect sense for a British author writing for a largely British audience, and since the books were written in the 1950's, this obviously has nothing to do with the current political situation.  But it is worth being aware of.

It's been a while since I posted in my Conservationist Living category, which is this post's primary classification, though I've assigned it to several others as well.

America is going to hell, right? Everybody says so. Including a whole lot of people who fervently believe there is no such place as hell, which is an interesting conundrum. But they all believe with equal fervor that we are going there rapidly. Believer or non-believer, left-wing or right-wing, we are convinced that we're in bad shape and on course to get much, much worse. What we disagree on is the attitudes, events, actions, and pathways that are taking us hell-ward.

Believe me, I'm not immune to such pessimism. Neither are you, so I'm going to tell you a small part of the story of Dave Anderson.

The Andersons are friends of our daughter's family, from their Pittsburgh days. Dave's success at building a good life for his family while reclaiming a worn-out strip mine and putting to good use many hundreds of tons of refuse every year was featured last month in this Pittsburgh Post-Gazette article.

I made the 45-minute drive to Echo Valley Farm this week because I wanted to meet the man who’d turned strip-mined land in northwest Beaver County into 26 grassy acres on which beef cattle thrive. Mr. Anderson had told me he revived his land by mixing hundreds of thousands of used paper cups from the Pittsburgh Marathon with manure, hay, banana peels and restaurant refuse.

You'll want to read the whole article to learn about the symbiotic relationship between the farm, needing nourisment, and both private businesses and local governments, needing waste disposal, that's a win for everyone involved.

It all works because there’s something in it for everyone. Mr. Anderson said that 14 years ago, the field over my shoulder produced 6,000 pounds of hay at the first cutting. The cutting in [the] same field last year brought 37,000 pounds.

Plus, the farm is a great place to raise kids.

I ask if it’s just the two of them and he says, no, he and his wife, Elaine, have six girls and a boy. They range in age from 10 to 24. All seven of them comprise Echo Valley, a bluegrass/​gospel/​Celtic band, that just played in Harrodsburg, Ky., Saturday night.

Several years ago—it was probably more than ten, though I'm finding that hard to believe—we visited the budding farm for one of their many social gatherings of food, music, and fun. Kids and animals were everywhere. The children were much younger then, of course, but they were already solid musicians. Here is a more recent video of the group.

and one of my favorites from earlier, just for fun.

Mr. Anderson, an inveterate reader who doesn’t own a TV, and who also was an air traffic manager until he retired last Friday, figured out how to turn desolate land into a lush farm that supports a family of nine with 30 head of beef cattle, six miniature donkeys, 40 laying hens, two turkeys, four guinea fowl, three geese, three ducks, two Australian cattle dogs and six pups.

Not to mention a number of cats, as I recall.

I hope this brightened your day. If America is, indeed, going to hell, people like the Andersons are pulling mightily in the other direction.

Ocean-Born Mary by Lois Lenski (J. B. Lippincott, 1939)

I grew up with Lois Lenski's Indian Captive, a fictionalized version of the story of Mary Jemison, captured by Indians during the French and Indian War. She remained with the Senecas all her life, and I have seen her grave in Letchworth State Park, one of our favorite spots in Western New York. It remains one of my favorite stories.

Many years later, after moving to Florida, I discovered the Newberry Award-winning Strawberry Girl, Lenski's novel about rural Florida in the early 20th century, and liked it also.

I wish Lenski's books weren't so hard to find. Recently I discovered a new one, in little Hillsboro, New Hampshire's tiny library: Ocean-Born Mary—and it's as good as the other two.

There's a reason this book is in a New Hampshire library: it is the fictionalized story of Mary Wilson Wallace, who was born on a ship that was part of the 18th century Scots-Irish immigration to New England. She grew up in New Hampshire, and her grave is in Henniker, the next town over from Hillsboro. Our New Hampshire grandchildren will want to be sure to read the Afterward, where they will find such familiar names as The Isles of Shoals and Star Island.

Warning: some spoilers below, but important for parents to read.

I loved Ocean-Born Mary. This is the world many of my ancestors lived in. Lenski has fictionalized the story and softened some of the harsh details for the juvenile audience, but there is great historical detail and it rings true. Written in 1939, it does not have 21st-century sensitivities, and modern parents may cringe at the casual references to "Negro slaves." But that was reality, and it's good for Northerners to realize what they would love to forget—that slavery was not exclusively a Southern sin. It was part of life at that time, as were smallpox and starvation, Indian attacks and British oppression.

Many modern parents may find even more objectionable the protagonist's friendship with an older man of very ill repute, and the fact that she sneaks away on several occasions to meet with him. Nothing untoward happens, and there is nothing at all romantic in the modern sense about the relationship. I've read many modern children's books that are infinitely worse in that dimension. Nonetheless, it may make modern parents queasy, which is why I'd suggest this book as a read-aloud, or that parents might at least read it themselves, first.

But I do recommend Ocean-Born Mary, highly. It's a gripping story, enjoyable to read, and I think it paints a good picture of colonial New England.

When I lamented my love/hate relationship with Penzeys Spices, one of my readers pointed me to an alternative spice source. I wasn't particularly looking for a new source at the time, having resigned myself to making do with grocery store spices except when Penzeys had a very, very special sale—which they seem to do every time Bill Penzey wants to point to a spike in sales as evidence that his customers support a particular political position.

But I checked out The Spice House and was blown away. I had not known the greater Penzeys story: It was Bill Penzey, Sr. who started the original Spice House company. His daughter took over the business, while his son, Bill Penzey, Jr., started his own spice company. Both companies have access to the old family recipes. The Spice House is smaller and more local than Penzeys, which they count to their advantage, all their spices still being prepared by hand in small batches, at their store.

The biggest difference between Penzeys and The Spice House is in politics. For all I know, the owners of the two stores share the same exact political views—or perhaps they are poles apart. I wouldn't know, because, unlike Penzeys, The Spice House makes a point of welcoming customers of all political persuasions, and keeping a very low profile themselves.

Here at The Spice House we are strictly a community of folks who like to cook; you will never get any lectures from us that include our personal agenda. We are just about the love of cooking and getting you the best possible ingredients to produce the most flavorful results!

Penzeys-quality seasonings without the side order of vituperation? I'm in!

My first order with The Spice House was just large enough to qualify for free shipping, because I'm trying to draw down my current spice stockpile, but what I've seen so far, I like very much. Here's a new blend that quickly became a favorite: Lake Shore Drive Seasoning: Gently hand mixed from salt, shallots, garlic, onion, chives, ground green peppercorns, scallions. My favorite alliums all together! I could only be happier if they had—without replacing this one—a blend that included all of the above except the salt, so I could add still more of the flavor to a dish.

I doubt The Spice House will totally replace Penzeys for me, as not all blends are available in both places. But it has certainly become the go-to store for my regular seasoning purchases.

A Book of Narnians: The Lion, the Witch and the Others by C. S. Lewis, text compiled by James Riordan, illustrated by Pauline Baynes (HarperTrophy, 1994)

When I read a book, it's the words I care about. I confess that I rarely look at illustrations; even when reading picture books to our grandchildren I mostly ignore the pictures. (You can guess how I feel about the "wordless books" that were popular for children at one time.) My view is that if you can't tell a story without illustrations, you're not really telling the story. So much for "a picture is worth a thousand words," at least as far as my reading habits are concerned.

On the other hand, in A Book of Narnians the illustrations are the book, and as far as I'm concerned are the whole worth of the book. Sadly, James Riordan's descriptions of the various Narnian characters, even though taken largely from the books themselves, make me cringe. I'm not certain why, except that—unlike Lewis' words in their original context—they feel condescending, as if someone decided that because this is a picture book, it should be written on a childish level. That's an attitude no intelligent and self-respecting child would put up with.

But it doesn't really matter. The star of the show here is Pauline Baynes' paintings, full color and worth taking time to study. Included as well, to my everlasting delight, is a reproduction of the original published map of Narnia, a poster of which hung for years, alongside a similar map of J. R. R. Tolkien's Middle Earth, in whatever house or dorm room I happened to inhabit.

(The map of Narnia now resides with our daughter, who takes better care of it than I, alas, ever did. I'm sorry to say I don't know what happened to the Middle Earth map, which was just as delightful.)

On November 22, 1963, John F. Kennedy died. I vividly remember a television commentor remarking that 60 people had also died that day in a horrific nursing home fire. In God's eyes, he admitted, those deaths were equally important, "but we are not God."

Death is all around us, every day. Some deaths move us more than others. To some extent, that's as it should be; if your own mother's death isn't more significant to you than the death of a random woman in South Dakota, there's something wrong with either you or your mother. I get that.

What I don't get is what moves the general media, and thus (sadly) the general population, to chose to highlight, amplify, and honor certain deaths for which most people have no personal connection. One child dies in a hurricane, and it's played over and over on the news. More than a dozen children die weekly in auto accidents, and rarely get airplay. Workplace or school shootings arouse great fear and anger, but gang-related violence is mostly ignored. The death of Travon Martin brought intense media attention from all over the world to Central Florida; the concurrent brutal death-and-burning of two young men on a bike trail nearby was all but ignored even by local media.

And then there are ostensibly minor events—like the Sandy Hook shooting, and Orlando's Pulse nightclub attack—which have taken on iconic status, with commemorations that amount to the feast days of some American secular religion.

I do understand that. Human nature, even that of hard-boiled atheists, needs a form of religion, and anything at all can spring into the vacuum created when more traditional forms of faith are abandoned. What I don't understand is why churches buy into it. I'm not even sure why churches celebrate Mother's Day, Veteran's Day, and other secular holidays—much less Super Bowl Sunday, which, no kidding, has been honored at some churches I've been in.

This is no commentary on what my own particular church does or does not do. I am on vacation in a place where the church celebrations are Pentecost and Trinity Sunday; I can't speak for what's going on back home. But if it's like previous years, churches all over Orlando will be talking about the Pulse attack, and tolling their bells 49 times. I don't think that's necessary, or even important. But for those churches who do choose to join in the secular remembrance, I have one plea:

Ring your bell 50 times.

You will hear again and again that 49 people died in the Pulse shooting. But the true number is 50. Any church calling itself by the Name of Christ must acknowledge that the 50th death—that of the attacker—is just as important, and just as tragic, as the other 49. As I wrote a year ago,

The natural way is not the Christian way. It is very, very clear that we are to love our enemies, which at the very least means mourning the violent, if necessary, death of this angry and unstable young man. He, as much as any of the other victims of this tragedy, was someone's son, someone's brother, someone's father, a human being, created in the image of God—no matter how distorted that image had become.

As that commentator acknowledged more than 50 years ago, we are not God. But if we are Christians, we should try to be more like him, and less like the world.