Who was Stephen Hopkins, the Mayflower passenger who is Porter's 10th great-grandfather?

To me he was just one name out of 15,000 in my family tree database. But having proved his significant relationship to my husband, children, and grandchildren, I thought it best to learn a bit more about him.

Turns out he's quite a character.

It has long been known that he was a passenger on the Mayflower, but only recently has there been good evidence that this was not his first trip to the New World.

Stephen was born in Hampshire, England, in 1581. He married a woman named Mary, and by her he had three children: Elizabeth, Constance, and Giles. Constance is Porter's 9th great-grandmother.

In 1609, Stephen signed onto a ship called the Sea Venture, as a minister's clerk, for a voyage to Jamestown, Virginia. You may recall that the English had settled Jamestown in 1607; this ship was part of a fleet intended to bring settlers and much-needed supplies to the colony. However, the Sea Venture became separated from the fleet in a storm, and was wrecked on Bermuda. Food and fresh water were plentiful and the former passengers survived, led by Thomas Gates, who had been commissioned to become the new governor of Jamestown.

During his life as a castaway, Stephen Hopkins demonstrated the temper for which he was remembered in Porter's family, where outbursts of anger were met with the admonition, "You're behaving like Stephen Hopkins." Or perhaps it was less temper and more independent spirit. In any case, Stephen was vocal about his dissatisfaction with the leadership of Governor Gates, and questioned his authority, leading others to do the same. There's a name for that at sea: mutiny. He was arrested, tried, convicted, and sentenced to death. Thanks to his eloquent pleading and that of others, he was pardoned, and was wise enough in the future to keep his opinions about Governor Gates to himself.

If the name of the ship is familiar to you, you may be a fan of Shakespeare's plays. The fate of the Sea Venture was one of the inspirations for The Tempest, and some think the character Stephano in the play was modeled on Stephen Hopkins.

In May of 1610, having built themselves some new boats, the castaways finally arrived in Jamestown. There they found the colonists starving and dispirited, and determined to depart. Before they left, however, a ship arrived from England with supplies, more colonists, and a new governor. Stephen Hopkins stayed in Jamestown until recalled to England sometime after the death in 1613 of his wife, Mary. He married Elizabeth Fisher in 1617, and they had a daughter, Damaris.

In 1620, Stephen, Elizabeth, Damaris, Giles, and Constance boarded the Mayflower. (Stephen and Mary's other daughter, Elizabeth, had probably died or possibly was married by that time.) They were not Pilgrims, but what the Pilgrims called Strangers, having been recruited in London to assist with a new venture in Virginia. A son, Oceanus, was born to them on the voyage.  

As we all know, the Mayflower never made it to the sunny shores of Virginia. Stephen made the best of the situation, signed the Mayflower Compact,  and threw himself into the work of the Plymouth Colony, making himself particularly useful by virtue of his previous experience with Native Americans, exploring, and living off the land. When Samoset, an Abenaki Native, startled the colonists by walking into their settlement and speaking to them in English, he spent the night in the Hopkins home.

Stephen and Elizabeth had five more children, born in the Plymouth Colony: Caleb, Deborah, Damaris, Ruth, and Elizabeth. The repetition of names (Damaris, Elizabeth) is usually a good indication that the previous children of those names had died young. 

The courts were busy in those days with offenses major and minor, and genealogists are thankful for ancestors who got into a little bit of trouble, because they left records. Stephen Hopkins ran a tavern, and his name appears several times in the court records: for fighting (there's that temper again), for allowing drinking and game playing on Sunday, for allowing people to "drink excessively," and for selling goods for more than the customary price. Also, one of his servants was found to be pregnant by a man who subsequently was executed for having murdered a Native American. The court ruled that Stephen was financially responsible for her and the baby until her term of service was up; instead, he threw her out of the house. Another colonist saved the day by buying out her remaining two years of service and accepting responsibility for her and the child.

Adventuresome, resourceful, independent, competent, fractious, and of fiery temper—that's our Stephen Hopkins. If you wish to read more about him, here are some interesting links:

American Ancestors - Stephen Hopkins

MayflowerHistory.com - Stephen Hopkins

Jamestowne Society - Who Was Stephan Hopkins?

Wikipedia - Stephen Hopkins

Posted by sursumcorda on Saturday, November 9, 2019 at 7:42 am | Edit
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The following quotation is from C. S. Lewis's Studies in Words. It's not a book aimed at the hoi polloi—those of us without a strong background in classical literature, Latin, Greek, French, and whatever else scholars were supposed to know in his day. So do not even try to understand it all, stripped as it is of its context and what has been said on previous pages. It's not hard to follow the point of the sentence I have bolded, however.

Distinct from this, so far as I can see, is the use of communis sensus as the name of a social virtue. Communis (open, unbarred, to be shared) can mean friendly, affable, sympathetic. Hence communis sensus is the quality of the "good mixer," courtesy, clubbableness, even fellow-feeling. Quintilian says it is better to send a boy to school than to have a private tutor for him at home; for if he is kept away from the herd (congressus) how will he ever learn that sensus which we call Communis? (p. 146)

If you want to poke the bear at any gathering of homeschoolers, ask the question, "But what about socialization?"

We have to be careful because this can be an innocent, serious inquiry that deserves a serious answer. The above is not suggested as the best way to respond, no matter how tempting. But we get so very, very tired of the question, perhaps in the same way that parents of large families get tired of being asked, "Haven't you figured out what causes that?" Large families who homeschool get both, of course.

I'll spare you the numerous studies and writings—and comics—that make the point that homeschooling is an excellent vehicle for helping children learn to get along well with others and to engage wisely with society in general. You can Google that for yourself.

But Quintilian (c. 35 - c. 100 AD) proves that the question is nearly as old as the Roman hills. Then again, he was a teacher with his own public school, and a lawyer as well, so perhaps he was a bit biased.

Posted by sursumcorda on Wednesday, November 6, 2019 at 9:42 am | Edit
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It has been a long time coming.

In our family, it began in 1911, with this letter written to Porter's grandmother, Mabel Davis, by William C. Knowles, a member of the Connecticut State House of Representatives. He was her representative, and also a distant relative, but who the friend was who put them in contact we will probably never know. (Click images to enlarge.)

     

Note his final line: Many are proud of their connection with the Pilgrims. I think they were a cantankerous set. Apparently Stephen Hopkins was cantankerous, at any rate: when Porter was a teenager and let his temper get the best of him, his mother would tell him to stop acting like Stephen Hopkins.

Mabel Davis was 21 years old when she received this letter. As far as we know, she did not apply to the Mayflower or any other hereditary society. She married the following year, and probably found much else that commanded her attention. (Such as bringing the Maggie P. into the family. How much of her personality came from Stephen Hopkins no one knows, but she was a Force to be Reckoned With.)

Many years later, sometime after we first moved to Florida, Porter took up the letter and the genealogical work. However, he also became too busy, and again it languished.

Then came 2002, the year of my father's death, which had followed close on the heels of the death of Porter's mother. I was stunned to realize that most of the people of whom I might ask questions were now out of reach, and the few remaining were well along in years. What's more, it occurred to me that, as the oldest in my family by quite a number of years, I had memories of bygone times that my siblings did not. I had never been interested in history of any sort, but it began to look as if I needed to take action to stem the rapid disappearance of family knowledge.

So I took up the genealogical baton, helped considerably by three significant factors.

  • On both sides of the family there had been people of earlier generations who had shown some interest in family history, so I had a few good books and some painstakingly-gathered notes to begin from.
  • We were at the time living just outside of Boston, with the tremendous resources of the New England Historic Genealogical Society library just a short train ride away. I can't emphasize enough how important this was to the progress I made. Alas, this season of my research was short, as we moved back to Florida in early 2003, but I made the most of it. In those days before Internet genealogy took off, the books, manuscripts, and human resources of the library were essential; even now, whenever we visit Boston my goal is to spend as much time as possible at the NEHGS. The same is true of New York City: You can have your Broadway shows—give me the New York Public Library's Milstein room.
  • While "There's never enough time!" is my constant and continuous refrain, I can't deny that with our youngest child in college, and not being constrained by the demands of employment, the time was finally right for some serious and sustained research.

I took up the baton, it is true, but I ran in my own direction. I grew up with zero interest in family history, and negative interest in heritage societies. My sole desire at that point was to gather data (like Google—data, data, and more data) and to enjoy solving genealogical puzzles. With the help of many people and resources, my family tree grew to nearly 15,000 people. (I hasten to add that this was without tacking on branches from other people's Ancestry.com or Family Search trees, which is how unsourced and incorrect data is spreading like a California wildfire.) I'm still embroiled in the massive challenge of organizing that data and making sure the tree is as accurate and well-documented as possible—as well as continuing to learn more, of course.

Knowing that he had a Mayflower ancestor—actually, at least three different branches that I know of now—Porter expressed an interest in joining the Mayflower Society, because of the upcoming (2020) 400th anniversary of the Landing of the Pilgrims. With all the data I have collected, you'd think that would be an easy job for me to do, so in 2017 I looked into the process and recklessly promised it to Porter as a Christmas present.

But even well-sourced data about a line of descent is not proof, and the Mayflower Society turns out to be particularly rigorous in its requirements. Of Porter's three possible Mayflower lines, I chose Stephen Hopkins because it looked to be the easiest to prove. Maybe it was, but easy it was not.

Now that I've done it once and know the procedures and requirements, it shouldn't take me as long to do another one—assuming the proof is available. (I can't believe I just wrote that; for months I had been intoning, "Never again. Never again. I am never going through this again." I guess it's like childbirth.) This was the gift that kept on giving: Christmas 2017, birthday 2018, Christmas 2018, birthday 2019. We submitted the final application in May of this year, and in October the certificate at the top of this post finally arrived in the mail.

Stephen Hopkins is Porter's 10th great-grandfather.  The line is as follows:

Stephen Hopkins—Constance Hopkins—Sarah Snow—William Walker—Mehitabel Walker—Richard Knowles—Mary Knowles—Joseph Burr—Sarah Burr—Julius Davis—Mabel Davis—Alice Porter—Porter Wightman.

As patriarch of the family Stephen naturally gets all the press, but note that in this line Porter actually has two Mayflower ancestors.  Stephen's daughter Constance was also a passenger on that ship.

I had figured to use my work once more as a Christmas gift, with the framed certificate wrapped and waiting under the tree. But I soon discovered that I couldn't wait myself—the road had been so long.

And anyway, it's a really appropriate Thanksgiving present.

Posted by sursumcorda on Sunday, November 3, 2019 at 6:04 am | Edit
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I love the fun and challenge of homemade Hallowe'en costumes. These range (not in order) from 1958 to 1989, and were chosen for the practical reason that they were the photos I could find handily.

The Trees in Autumn

The Happy Clown

The Salt and Pepper Shakers

The Fierce Knight

The Quill Pen and the Umbrella

Those were the days! The days before the proliferation of adult Hallowe'en parties, "harvest festivals," trick-or-treating at the mall, "Trunk-or-Treat", and safety-above-all. We enjoyed crisp fall nights (we never went out before dark!); hand-carved pumpkins with candles inside (though every Hallowe'en was haunted by the memory of the hoods who prowled the streets smashing them, breaking my six-year-old heart) and roasting our own pumpkin seeds; roaming throughout the neighborhood as a family, waving at our friends as we passed (we only went to the homes of people we knew, but that was most of the neighborhood and certainly provided a more-than-sufficient "haul"); consuming cider (unpasteurized, of course), doughnuts, and my mother's amazing pumpkin cookies. And we never, ever bought a costume! Hallowe'en was about children, creativity, family, and neighbors even more than candy. Not that the candy wasn't significant in those days when sweets were not so readily available as today.

I tried to keep my experience of Hallowe'en alive for our children, and succeeded to some extent. Moving to Florida pretty much did away with the "crisp fall nights" part, however.

Posted by sursumcorda on Thursday, October 31, 2019 at 5:50 am | Edit
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Psalm 22:21, New international Version (NIV) translation: Rescue me from the mouth of the lions; save me from the horns of the wild oxen.

Psalm 22:21, Coverdale translation: Save me from the lion's mouth; thou hast heard me also from among the horns of the unicorns.

No doubt the NIV, product of both modern scholarship and better understanding of Hebrew, is the more accurate rendering. But there is something appealing about Coverdale's version.

And you thought unicorns were pink, purple, sweet, and girly. Clearly they were previously understood to be powerful, fierce, and dangerous.

Watch out next time you underestimate a girl.

Of course, if you've read The Rithmatist, you already know that about both girls and unicorns.

Posted by sursumcorda on Monday, October 28, 2019 at 11:07 am | Edit
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Today some of the world's craziest most dedicated cyclists are tackling Pittsburgh's Dirty Dozen bicycle race. I know about this not just because Heather used to live in Pittsburgh, but mostly because the race was founded by Danny Chew, the brother of one of our friends. I've written about Danny before; for example, when he and our friend's son biked from Pittsburgh to Alaska.

The coincidence of today's race with seeing this Babylon Bee article in my Facebook feed was too good to pass up.  (Thanks, Spencer.)

Motorcyclist Who Identifies As Bicyclist Sets Cycling World Record

I've never seen the Dirty Dozen race live, nor am I likely to, given that we no longer have family in Pittsburgh. But I've seen some of those hills, and know that walking my bike up them would be enough of a challenge. I suspect even a motorcyclist would think twice.

Posted by sursumcorda on Saturday, October 26, 2019 at 10:18 am | Edit
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It's funny how often when we react against something we nearly always throw the baby out with the bathwater.

Having had my cultural-formation years, and well as my Christian-formation years, steeped in Protestantism of the more Reformed sort, there were two things it never occurred to me to do: (1) show any particular respect for Mary, the mother of Jesus (except briefly, at Christmastime), and (2) read the Apocrypha—those writings from "between the Testaments" that are considered to be part of Holy Scripture by Catholics but not by Protestants. (I'm simplifying the situation somewhat.)

I think the greatest reason for the first was that Catholics make so much of Mary, often—or so it appears to Protestants—making her seem more important, and more venerated, than Jesus. To avoid that error, it was safest to ignore her. Plus there's no denying a certain historical bias against women. In more than one church of my experience, certain (male) saints are highly venerated, especially St. Paul. Also St. Peter, though he's a bit tainted because he's so important to Catholics. But Mary? Almost no mention at all, and very little honor paid. In fact, we once were called on the carpet over an instrumental-only version of the beautiful and famous Bach/Gounod Ave Maria played during the service. Did I mention that it was instrumental only, i.e. no words, offensive or otherwise?

It's not surprising that I never heard anything from the Apocrypha during a church service. Church readings tend (rightly) to be from Scripture, and if you don't think a book is part of the Biblical canon, better skip it. But these books (more or less) were included in the Bibles used throughout most of Christian history, including by Martin Luther, John Calvin, John Knox, and John and Charles Wesley. Luther called them "useful and good to read," though not equal in value to the canonical books. The Anglican "39 Articles" accepts the Apocrypha "for instruction in life and manners, but not for the establishment of doctrine." What's more, they were part of the world in which Jesus lived, and one can see their echoes in the New Testament.

But none of these reasons are why I decided to—finally!—read through the Apocrypha. I was tired of being culturally illiterate. In the world of art, music, and literature, many important works reference stories from the Apocrypha. Even if we consider them completely fictitious, why do we not learn their stories the same way we learn the ancient Greek, Roman, Egyptian, and Norse myths? We know about Apollo and Daphne; why not about Judith and Holofernes?

 
Apollo and Daphne by Bernini, Judith Beheading Holofernes by Caravaggio

Cultural literacy aside, what did I think of the Books of the Apocrypha? Mixed. Here's the list, as they appear in my Revised Standard Version Bible (Catholic edition), followed by my reactions. (I deliberately read these books without learning anything about them, wanting to collect my own first reactions, unprejudiced.)

Tobit, Judith, The Additions to Esther, Wisdom of Solomon, Sirach, Baruch, The Letter of Jeremiah, Song of the Three Young Men, Susanna, Bel and the Dragon, 1 Maccabees, 2 Maccabees, 1 Esdras, 2 Esdras, and The Prayer of Manassah.

The reading started out well. It was exciting to read the stories, such as those in TobitJudith, and Susanna. Several of the others seem to fit in with Old Testament books, but apparently are not considered authentic enough to be included.

The Wisdom of Solomon reads very much like Solomon's writings in Proverbs. Sirach (also called Ecclesiasticus) is a collection of similar proverbs, but feels as if written at a later time than Solomon's. Proverbs is one of my favorite Bible books to read, but I found Sirach, on the whole, boring—sometimes even offensive.  Many of the proverbs show wisdom, but others are strange. For instance:

Better is the wickedness of a man than a woman who does good, and it is a woman who brings shame and disgrace.

This one's better (emphasis mine):

Speak, you who are older, for it is fitting that you should, but with acccurate knowledge, and do not interrupt the music.

Speaking of music, how about this one?

Do not associate with a woman singer, lest you be caught in her intrigues.

On the other hand, this is an interesting anticipation of the language of the Eucharist, which if you first encounter it in Jesus' words seems more shocking than it probably was for his disciples.

[Wisdom speaking] Those who eat me will hunger for more, and those who drink me will thirst for more.

Sirach is also the source of the familiar line, Let us now praise famous men. Many such revelations pop up in the Apocrypha: "Oh, so that's where that came from!"

The biggest disappointment was the Maccabee books, not only because they are much like my least favorite parts of the Old Testament—war and more war—but mostly because the story of the miraculous eight-day supply of oil, which is the event celebrated at Hanukkah, is not there, where I expected it to be. Apparently that event, though it occurs in the time of the Maccabees, was not written down until much later, in the Talmud.

I very much enjoyed the between-testaments "feel" of the books, particularly in the ones that are not just additions to Old Testament books. You can see how Jewish thought is evolving, in particular to include belief in resurrection and life after death, and in the Messiah whose coming was fully anticipated to bring military triumph to the Jewish people.

1 Esdras reads like normal Old Testament history, but 2 Esdras is just plain weird. If you enjoy Revelation, you'll love 2 Esdras.

My verdict on the Apocrypha? I'd say Luther was right. It is "good to read," though not as infallible Scripture. It is at least as interesting, helpful, and important as the history, wisdom, and stories we read from other sources without thinking twice about it.

I see no reason why the books of Apocrypha, honored in religion and culture for most of their history, should in modern times be in such disfavor. I won't be reading them annually the way I do the Old and New Testaments, but I'm glad I finally made their acquaintance.

 


 

What's next?  I'll begin my yearly cycle again when Advent comes, but in the meantime, since I just finished reading C. S. Lewis's book, Reflections on the Psalms, I think I'll run through the Psalter. For this purpose I'll step briefly away from the Revised Standard Version and pick up my 1928 Book of Common Prayer, which retains the Coverdale translation of the Psalms. I think I'm still reacting to my two years with The Message. After this, I'll revert to the more middle-of-the-road RSV. Lewis says,

Even of the old translators he [Coverdale] is by no means the most accurate; and of course a sound modern scholar has more Hebrew in his little finger than poor Coverdale had in his whole body. But in beauty, in poetry, he, and St. Jerome, the great Latin translator, are beyond all whom I know.

What a pity we can't get both modern scholarship and beauty!

Posted by sursumcorda on Thursday, October 24, 2019 at 9:13 am | Edit
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altThe Rithmatist by Brandon Sanderson (Tor Books, 2013)

I was hoping to have another Brother Cadfael book for my Sabbath reading, but #8 is currently unavailable at our library in any form.

Enter, at the precise moment of need, the hearty recommendation of my daughter for Brandon Sanderson's The Rithmatist. Sanderson's works were previously recommended to me by my brother, and then by our grandson, but both of them have a predilection for very thick books in very long series. Knowing that Heather read The Rithmatist in a day—albeit one that cost her more sleep than it should have—and enjoyed it thoroughly was enough push to overcome my inertia.

My only disappointment is that the final words of the book are "To be continued." Never trust an author who prefers to write in series form. Worse, the sequel isn't due out for some time yet. Nonetheless, the book is complete enough in itself and was nearly impossible to put down. Apparently a New York Times review included the complaint, "there is almost no action until the climax." Were we reading the same book? Is the reviewer using the term "action" merely as a synonym for "battle scenes"? The Rithmatist is bursting with action and excitement from beginning to end.

Sanderson has created a very clever "alternative world" and I look forward to reading more about it. Since that time seems to be well into the future, perhaps I should venture into his Mistborn series, though his own blurb for that promises "romance" among other things—and that's often enough to kill my interest. Still, that part can't be too bad, or my grandsons wouldn't be recommending it.

Posted by sursumcorda on Monday, October 21, 2019 at 9:33 am | Edit
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As I've written before, we enjoy watching Rick Steves' television shows about travel, and make extensive use of his guidebooks when visiting unfamiliar places. Another resource that we found invaluable on our recent trip to Rome was a Great Courses series, The Guide to Essential Italy.

Neither, however, advises what we discovered for ourselves on our visit: Do as much as you can in the morning. For us, Rome was at its best before noon: the weather was pleasant, and the streets were delightful to walk through, with more locals than tourists in sight. Except for the most popular attractions, e.g. the Colosseum and the Vatican, crowds were low, and we were able to visit museums and churches relatively unjostled.

By noon, the crowds of tourists had begun to take over the city, and Rome under the afternoon sun suggested that we were back in Florida. The early evening mobs reminded me of taking Boston's Green Line buses during rush hour, and the threat of pickpockets became a much more serious issue.

As for eating, we found late afternoon to be a delightful time to relax in a restaurant after a hard day of walking and museum-browsing. Perhaps because Rome must cater to tourists, we found most restaurants open for a four- or five-o'clock dinner, with plenty of available tables and attentive staff. It was also still light, for better views, and relatively quiet—as it gets dark, the music gets louder, a correlation without obvious causation.

No doubt "night people" have an entirely different view of Rome, but this worked very well for us. Our only later-evening excursions were short walks down the street to the local gelato place, which soon became our nightly habit before falling into a deep and exhausted sleep.

Posted by sursumcorda on Sunday, October 20, 2019 at 7:21 am | Edit
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Our Church History class has resumed: we have moved on to Volume 2 of Justo L. Gonzales' The Story of Christianity. The books are interesting and the class even better—it's helpful to have our well-educated pastor's insights to affirm/debunk/clarify/expand the author's views. I wish there were more discussion—but the class is already an hour and a half long.

I recently rediscovered this cartoon, which I first came upon in 2012. Sometimes it feels like a good summary of church history. Or the history of science, for that matter. Or the human condition in general! (Click image to enlarge.)

Posted by sursumcorda on Thursday, October 17, 2019 at 7:00 am | Edit
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When visiting Rome, we prayed in far more churches that I can possibly remember, from the incredible St. Peter's Basilica in the Vatican, to the personal chapel of the popes at the Scala Sancta, to the little churches everywhere on the streets of Rome, each filled with museum-worthy artwork.

But we only attended two services on our trip, both in Switzerland, both official state churches, one Reformed and one Catholic. The way I figure it: on average, we were Anglican.

The first church was just about what you'd expect from a Reformed church: a pulpit, a cross, an organ, and some chairs. Scripture, a long sermon, and a little music (no choir). I'm told there's sometimes more music than we experienced. Of course it was all in German, but it's amazing how much you can understand of Scripture readings if you know the Bible well enough, and we even figured out a tiny bit of the sermon. Singing in German is almost easy if you (1) have the words and the music, and (2) know even a very little bit about German pronunciation.

Our second service was Catholic, and it's not really a fair comparison, because it was a special day for the church, a celebration of the saint for whom it is named. Therefore the music was special, and included the choir, which doesn't always sing for the services. (That's not all bad, as it allows Stephan to sing in the choir and still attend most of his usual church's services.) It's a modern building, but not nearly as bare as the Reformed church.

Once again, we could pick up a little bit of the Bible readings and the sermon, but of course it was mostly lost on us. On the other hand, if only we had been provided with a written transcript of the liturgy, we could have participated in most of it and known exactly what was going on, even if we didn't understand most of the German. It was recognizably very much like our Episcopal (Anglican) service. (To be fair, the Catholics would say the Anglican service is very much like theirs.) At one point, Janet leaned over and asked, "Do you say this at your church?" referring to a part of the liturgy not used in the Episcopal churches of her experience. "We do now," I replied (thanks to our current priest). I could tell you what the priest and people were saying, but I couldn't join in without the German words to read.

Here's one fun hymn (#95) we sang, fun for me because I knew the tune as that of The Glory of These Forty Days. Close enough, anyway. (Click on the image to enlarge.) Note that the Catholic hymnal attributes the music to Martin Luther, while Hymnary.org to Johann Sebastian Bach. It actually is Martin Luther's music, but Bach did base a famous cantata on it.

Posted by sursumcorda on Monday, October 14, 2019 at 11:01 am | Edit
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Hey, Eric!  Look what I found in the Summer 2019 issue of American Ancestors!

I haven't had a cartoon published since my Dip City days.  Not that this is entirely my cartoon, but it is my caption.

On Facebook, American Ancestors (The New England Historic Genealogical Society) occasionally runs a contest in which readers suggest captions for a cartoon that they plan to publish in their magazine.  I had no idea that mine had been chosen till I reached the final page of the most recent issue.

That was a fun surprise!

Posted by sursumcorda on Saturday, October 12, 2019 at 11:17 am | Edit
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When it comes to travel, I'm a huge fan of Rick Steves. Not of his politics, but if you avoid his more informal, off-the-cuff broadcasts, such as the ones you'll find on Facebook, you can mostly avoid that; his shows and guidebooks have the advantage of better editing. We've found his products enormously helpful in planning a visit to an unfamiliar city, from finding hotels to organizing our days to learning about the sites and sights we are seeing.

That said, we differ from Rick on sightseeing almost as much as on politics. If he says a museum visit will take an hour, we know to count on three. And we are simply not the least interested in the nighlife of a city, which he finds vital and stimulating. Neither his television show nor his guidebook mentions our great discovery about visiting Rome: Do as much as you can in the morning. (More on that in another post.)

Then there's people-watching. Apparently that's one of Rick Steves' favorite activities, as he frequently mentions it as a highlight of a trip. I've never seen the attraction, so I made a point one night, while enjoying gelato in the little shop down the street from our hotel, to try the exercise.

I couldn't do it. I couldn't remain focussed.

I'd start out taking notice of the people around me: the man carrying his crying child, no doubt exhaused from a day of sightseeing; the fashionably-dressed women accompanied by scruffy men; the customers who thought a single cigar worth the €20 price tag. I noticed with appreciation a woman whose grey purse exactly matched her grey suit—I've never in my life bought a purse to match an outfit. Then I noticed another woman whose bright orange purse exactly matched her bright orange outfit ... and my mind was off down a rabbit hole.

That purse can't be useful with very many colors. Does the woman wear nothing but orange? Does she have a purse for every dress she owns? I can barely handle three: something I need is inevitably back home in another bag. And I cringe at the cost every time I need to replace a worn-out purse; I can't imagine spending money on one that is useful solely for one outfit. She doesn't look wealthy. Then again, what does "wealthy" look like; how can I presume to judge her financial situation? How, for that matter, can I presume to judge her spending priorities? Why am I staring at her anyway? Seems downright rude to me.

Reluctantly, I hauled myself back to the nightlife around me, but soon my internal voice (a.k.a. Li'l Writer Guy) took over again. After about twenty minutes of such struggles, I gave up on people-watching.

Perhaps it's a sport for extroverts, who apparently do not engage in this constant internal dialogue. (I can't imagine that, but I'm told it's true.) At any rate, I found the exercise moderately interesting, but nearly as exhausting as a three-hour museum experience.

Posted by sursumcorda on Thursday, October 10, 2019 at 7:49 am | Edit
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How many Anglo-Catholic snake-handling churches do you know? Once a year we let our wild side show.

 

This was at our annual Feast of Saint Francis Blessing of the Animals, where people bring their pets to receive a priestly blessing. Normally the service is outdoors, but rain intervened this week, so all the animals came into the sanctuary.

Had I known, I might have taken a preventative antihistimine, though I generally take such measures only as a last resort. Despite claiming for myself a corner away from most of the furry people—deserting my alto comrades and sitting amongst the sopranos—my eyes were burning before the service even began, and by the time it was over, I could barely sing. However, I managed to continue breathing unhindered, so I consider that strategy a win.

The snake? Snakes are good. No fur, no dander. Plus they eat rats.

Posted by sursumcorda on Monday, October 7, 2019 at 10:12 am | Edit
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Last Sunday, our church celebrated the Feast of Michael and All Angels.  Also known, it turns out, as Michaelmas, a term I had only known thanks to a murder mystery in which "Michaelmas daisies" are featured.

The sermon included a short dissertation on the difference between actual angels and our popular conception of those beings, which reminded me of the observations we made during eight days of bingeing on Italian art while visiting Rome.

Biblical angels apparently feel the need to begin their encounters with humans by words like "Fear not."  I'm guessing it's a pretty overwhelming encounter.

Angels in art?  All too often they look as if they are about to announce, "Aren't I adorable?"

Posted by sursumcorda on Friday, October 4, 2019 at 8:44 am | Edit
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