As I've said before, Isaac Asimov has long been one of my favorite authors, from science fiction (of course) to science fact to history to mystery.  But his fantasy falls flat, at least if judged by Magic: The Final Fantasy Collection, which I finished reading today.

Asimov is fond of quoting Arthur C. Clarke's assertion that any sufficiently advanced technology is indistinguishable from magic; this may go far to explaining why I find his fantasy unsatisfactory.  He is all-rational,* to the extent that even his demons and his dragons seem mundane.  There is no magic in his magic.  Some of the tales are good stories, but they lack the sparkle, the wonder, the life of a good fantasy.

Interestingly, Asimov had great respect for J.R.R. Tolkien as a writer and read The Lord of the Rings at least five times.  Since I consider Tolkien to be a master at the elements that I find lacking in Asimov's fantasy stories, I wonder if those aspects of the LOTR, which in my opinion make it the monumental work that it is, were invisible to him.

Perhaps they were; certainly there is enough depth to the story to attract people on many different levels, as the makers of the movie version proved.  Or...perhaps...he did catch a glimpse of the book's magic, which continued to draw him back, though he didn't know why.

 


*Or so he claims.  But in real life even Isaac Asimov was human:  At a lecture I attended, he presented two ways to view the expansion of the universe.  Either it will expand until it dies, or it is cyclical, ever expanding and contracting, ending and beginning again.  Although current data supports the first option, he said, he was convinced that the cyclical theory was the true one.  Why?  Because he couldn't bear to think the universe had a beginning and would have an end.  A perfectly human reaction, but not the cold, scientific rationality he liked to assume.
Posted by sursumcorda on Tuesday, July 13, 2010 at 3:43 pm | Edit
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Stained Glass Elegies: Stories by Shusaku Endo translated by Van C. Gessel (Tuttle Publishing, Tokyo, 1986)

When Basel records the highest temperature in Switzerland, and much of Europe has the temperatures of Florida in July without benefit of Florida's air conditioning, and a recent birth precludes visiting the local swimming pool, let alone fleeing to somewhere high in the Alps, then sitting in front of a fan and reading beats most other activities.  It especially beats sitting with a hot computer on one's lap, so this will be a short review.

Endo is not an author I would have likely come across on my own, but that's the advantage of having someone else's bookshelves at one's disposal.  I chose this book of short stories over the many Endo novels available, on the theory that they would work better in a household punctuated by random baby needs.

Although the themes are decidedly adult, and rather depressing, the stories were good to read and rarely objectionable, even to me.  What I found most fascinating was the glimpse of life from a Japanese point of view.  Recurring motifs, probably somewhat autobiographical, include tuberculosis; hospitals; internal doubts, fears and struggles; war; and the suffering of Christians, both martyrs and apostates, during the time when Japan attempted to stamp out Christianity—and the effect that era has on Japanese Christians today.  "Would I be able to endure torture and death—and the torture and death of my family—without abandoning my faith?" is not a thought most American Christians give serious consideration, but apparently for Endo, a Japanese Catholic in a land where Christians of all sorts make up only 2% of the population, it was a haunting question.

Posted by sursumcorda on Sunday, July 11, 2010 at 2:55 pm | Edit
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altIn Tune with the World: A Theory of Festivity by Josef Pieper, translated from the German by Richard and Clara Winston (St. Augustine's Press, South Bend, Indiana, 1999; original copyright 1963, translation copyright 1965)

Sometimes it helps to take a second look.

I wasn't halfway through the first chapter before I was disappointed with In Tune with the World.  It was my own fault:  Despite the book's subtitle, I had been expecting practical suggestions for recovering festivity in a society where abundance is commonplace.  (See New Year's Resolution #2:  Rediscover Feasting.)  However, when Pieper says "a theory of festivity," that is exactly what he means. (More)

Posted by sursumcorda on Friday, July 9, 2010 at 10:53 am | Edit
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The day I arrived in Basel on this trip, I felt in need of some "chill-out" reading that wouldn't tax my jet-lagged brain cells.  Fortunately, Janet and Stephan's bookshelves are well stocked, even after eliminating the books in German, French, and Japanese.

For much of my life, Isaac Asimov was one of my very favorite authors, first for his science fiction, and later for his non-fiction.  (I had the pleasure of astonishing him once at a science fiction convention by presenting to him one of his American history books for autographing.)  Asimov kept writing—surely he must hold some record for the quantity and scope of his works—but life took me in different directions and I neglected him for many years, except for re-reading his delightful Black Widowers mystery stories.

But there on the bookshelf was Gold, a collection of some of his last short stories and essays, and it was just what I wanted.  (More)

Posted by sursumcorda on Saturday, June 26, 2010 at 4:05 am | Edit
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Rowan & Martin's Laugh-In and The Smothers Brothers Comedy Hour

Thanks to Netflix, we're reprising the 1960's.  Just a little.  Contrary to popular, romantic belief, the 60's and 70's were a difficult and painful time for our country, and while there was some progress made in important arenas, I see those times as watershed years, in which our society turned rapidly for the worse in many ways.  I never did like Forrestt Gump; it cuts too close to the bone.  Nonetheless, while searching for some clean comic relief, I chose to look backwards, at some "best of" takes on two shows that made me laugh in my high school days.

My memory was confirmed that of the two the Smothers Brothers show was by far the better.  I've removed from our queue the remaining Laugh-In disks in the series, but kept two more of the Smothers Brothers.  They make me laugh still.  Only now, I cry as well. (More)

Posted by sursumcorda on Wednesday, June 9, 2010 at 9:17 am | Edit
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Food Rules: An Eater's Manual by Michale Pollan (Penguin, New York, 2009)

Food Rules is a condensation of what journalist Pollan has learned from his investigation of what's wrong with the American diet and how it can be improved.  If this is the only Pollan food book you will read, or if you want to introduce his ideas to a skeptical friend with a short attention span, it rates five stars.  Half of the 140 pages are merely pictures, and the other half are short and very easy to read.

I enjoyed reading through it, but am glad I borrowed it instead of buying it, as for my purposes The Omnivore's Dilemma and In Defense of Food are better.  (On the other hand, at $6.60 from Amazon, the book costs no more than one of those fast food meals Pollan wants us to avoid.)

From #1 Eat food (as opposed to edible food-like substances) to #63 Break the rules once in a while, following these succinct suggestions would go a long way towards improving most people's diets.  Best of all I like Pollan's relaxed attitude that reminds us that eating well isn't rocket science, nor is it onerous.  It's a basic birthright that we have lost and must reclaim for ourselves and our children.

Posted by sursumcorda on Friday, May 28, 2010 at 10:35 am | Edit
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altThe Dark Ages  (The History Channel, 2007, not rated)

Having worked for a number of months in New York City, Porter had the opportunity both to explore the History Channel on television and to observe throughout the city the advertising placards proclaiming, "The History Channel:  Where History Is Made Every Day."  If he were a vandalizing sort of person, New Yorkers would have soon seen a slight alteration in the slogan:

alt

With my expectations sufficiently lowered, I found The Dark Ages not to be too bad.  (Thanks, Netflix.)  It's not my favorite approach to a historical documentary—Ken Burns set a standard that is hard to beat.  The tone is unpleasantly sensationalistic, and the re-enactments almost painfully unprofessional.  But the facts are consistent with what little I know of the time period (as consistent as historians get, anyway), and without doubt the show packs an amazing amount of history into 94 minutes.

I believe history needs to be taught using many sources, and many approaches.  Not only does this help balance out the inevitable bias each historian brings to his work, but I'm sure I'm not the only person who needs to hear a fact at least three times before it sticks with me.  The Dark Ages is not a great show, but it works well in this context.

Posted by sursumcorda on Wednesday, May 19, 2010 at 7:01 am | Edit
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altThe Brain that Changes Itself: Stories of Personal Triumph from the Frontiers of Brain Science by Norman Doidge (Penguin, New York, 2007)

Neuroplasticity.

The idea that our brains are fixed, hard-wired machines was (and in many cases still is) so deeply entrenched in the scientific establishment that evidence to the contrary was not only suppressed, but often not even seen because the minds of even respectable scientists could not absorb what they were certain was impossible.  Having been familiar since the 1960s with the work of Glenn Doman and the Institutes for the Achievement of Human Potential, the idea that the human brain is continually changing itself and can recover from injury in astonishing ways did not surprise me. In fact, the only shock was that in a 400 page book on neuroplasticity and the persecution of its early pioneers I found not one mention of Doman's name. But the stories are none the less astonishing for that.

In Chapter 1 we meet woman whose vestibular system was destroyed by antibiotic side-effects.  She is freed by a sensor held on her tongue and a computerized helmet from the severely disabling feeling that she is falling all the time, even when lying flat.  That's the stuff of science fiction, but what's most astounding is that the effect lingers for a few minutes after she removes the apparatus the first time, and after several sessions she no longer needs the device(More)

Posted by sursumcorda on Tuesday, May 18, 2010 at 12:41 pm | Edit
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The Inn of the Sixth Happiness  (20th Century Fox, 1958, not rated)

A sympathetic and positive portrayal of a segment of the life of Gladys Aylward, the British Christian servant girl with a powerful love of both God and China.  This small woman (incongrously but convincingly played by Ingrid Bergman) had great impact in northern China during the tumultous 1930's and 40's.  Single-handedly leading nearly 100 children over the mountains to safety during the Japanese invasion, and persuading the remote villages to comply with the new law against the footbinding of women, were but a small part of her successes.

As movies go, this one is reasonably true to the story.  I realize that's damning with faint praise, but I've learned to lower my expectations for truth from movies, which must alter events to make a convincing story fit in under three hours, and must include non-existent romantic scenes to please the audience.  Perhaps its worst crime is in making Aylward's extremely arduous life look easy.  In addition to the "normal" hardships of malnutrition and hard labor, she was beaten, tortured, shot, and severely injured in a bomb blast, but Bergman's hair is never mussed more than can be fixed with a quick flick of her fingers, and the journey across the mountains seems almost as easy as the end of The Sound of Music.

It's a fun and inspiring movie, worth watching if you also make a point of learning "the rest of the story."  As much as can be learned, anyway:  Aylward was old, with broken health and failing memory, when her story was finally written down, so much remains unknown.

Posted by sursumcorda on Saturday, May 15, 2010 at 5:10 pm | Edit
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Monk, the television show about obsessive-compulsive detective Adrian Monk, ran from 2002 - 2009.  We encountered it in 2007, thanks to Netflix and the suggestion of a friend, and completed the eighth and last season this month.  Part mystery, part comedy, and part fantasy, Monk ranks as the only television show for which we have seen every episode. (More)

Posted by sursumcorda on Saturday, May 15, 2010 at 11:27 am | Edit
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Rimsky-Korsakov:  Russian Easter Overture, op. 36
Respighi:
  Church Windows
Debussy:  Sunken Cathedral
Sung:
  The Circle Closes

This, the last of our subscription concerts for the season, promised to be a great one.  I love the Russian Easter Overture, and the Orlando Phil did a nice job with its glorious, solemn, joyful, and triumphant Resurrection Day music.  The next two works were new to me, but I like Respighi a lot, and Debussy well enough, and they did not disappoint.  This concert was a bit different, having extra lights that projecting a lotus blossom-like image of changing colors behind the orchestra during this, the first half of the performance.  It was hardly necessary, but was simple enough not to detract from the music, and may even have enhanced it a little.

The second half of the show was another story.  This is where I was truly disappointed, because for it my expectations had been highest.  I'd loved every Stella Sung composition I'd heard, beginning with the suite she wrote for the Florida Symphony Youth Orchestra back in the 1990's.   As I said before, I've never yet met a Stella Sung work I didn't like. (More)

Posted by sursumcorda on Sunday, April 18, 2010 at 10:56 am | Edit
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Ever since our visit to Rio de Janiero, where we began each morning with suco de maracujá sem açúcar, out-of-this-world unsweetened passion fruit juice, I have been on the alert for passionfruit flavors.  Alas, nearly every version of passionfruit juice sold here is sweetened, which does a serious disservice to the noble fruit.

However, if you're going to adulterate the passionfruit, the Feodora Grand'Or Maracuja 75% Cacao chocolate bar is a good way to go.  Porter found this German delight for me in New York City.  At 75% cacao, the chocolate loses a little too much of its "mouthfeel" to be perfect, but the maracuja flavor is heavenly.  Don't pass this up if you get the opportunity to taste some.

Posted by sursumcorda on Friday, April 16, 2010 at 3:04 pm | Edit
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Stones into Schools: Promoting Peace with Books, not Bombs, in Afghanistan and Pakistan,  by Greg Mortenson (Viking Penguin, New York, 2009)

I knew before finishing Three Cups of Tea that I wanted to read the sequel.  Stones into Schools is even more wonderful.  For one thing, Mortenson has found better help with the writing, so the story is crafted in a riveting, compelling fashion. (More)

Posted by sursumcorda on Thursday, April 8, 2010 at 5:06 pm | Edit
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The Gobblestone School: A Tale Inspired by the German Criminalization of Homeschooling, by Jacob Schriftman (aka Jokim Schnoebbe) (Moonrise/CreateSpace, Scotts Valley, California, 2009)

I wanted to like this book.

First, I wanted to read it, and for that I had to buy it, as it was not available in the library.  It languished in my Amazon "save for later" cart for a while, but I recently decided to indulge myself.  I'm glad I read it, but as indulgence goes, I'd rather have dark chocolate. (More)

Posted by sursumcorda on Saturday, April 3, 2010 at 10:05 am | Edit
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Indoctrinate U (On the Fence Films, 2007)

Indoctrinate U has been on my "watch list" for a while, but I hadn't been able to make myself take the time. It's not available from Netflix, but I found it on YouTube, in nine parts of about 10 minutes each.  Today it came up on my "get this done today" list, so I thought I'd watch one or two of the segments. But they don't end in good places, and anyway I got hooked, so I watched the whole thing.

This documentary on discrimination, intolerance, and anti-diversity in American higher education is obviously not a high-budget film, though I'm sure it's better in the original format.  I agree with Janet's comment that "it only pointed out the problems and didn't discuss any causes or better yet, idea for fixing the problems," and fear she may be right that it might be more divisive than helpful.  Nonetheless, it's an important film to watch for anyone attending, planning to attend, or sending money to a college or university.  I am not advocating staying away from college; but do be aware of the larger picture.

Although the film looks with some nostalgia on university life in the 1960's, there was plenty of intolerance for diversity of thought even then, though it was not, as now, enshrined in the bureaucracy, and the hard sciences (where I was) were mostly free of that, at least as far as the students were concerned.  Our professors had a hard enough time teaching us math and physics, and didn't feel that taking time for political discussion would help us understand differential equations any better.  I'm told by math professor friends that that has now changed.  One, who has taught both in the United States and in Africa, expressed frustration that her American university required her to teach her not only calculus, but also the importance of African mathematics.  I'm not sure what "African mathematics" might be that is important for a university math major to learn (I missed it in my classes), but I wouldn't be surprised if in the future the important mathematicians are African—because her African students are eager to learn the content, not the politics, of math.

The investigator for Indoctrinate U has been criticized for his confrontational approach, but while I do think one cannot expect to see a university president without an appointment, as journalists go, he was about as mild and polite as you can get.

Yes, the film is one-sided, and not only because they couldn't get anyone from the university side to talk seriously with them.  It presents, however, a side that is not usually heard—indeed, is often censored, mocked, threatened, and attacked—and can be forgiven for being a little strident.

Here is the first segment; from there YouTube will provide links to the remaining eight.  Be patient with the first couple, as at least I found the emphasis on affirmative action less interesting than the general topic of free speech on campus, which is more clearly presented in later parts.  (There is a small number of profanities—quoting from a threat to a student and from the title of a play—that are bleeped out if you get the "clean" version, but the download versions are unaltered.)

I wish they had made more of a distinction between public and private colleges.  To me, there's a huge difference between what a private school chooses to allow or forbid, and what a taxpayer-funded school does.  But in either case, if the school is presenting itself as a bastion of diversity, tolerance, and academic freedom, evidence to the contrary needs to be heard.  Caveat emptor.

Is there a solution?  Confronting the universities with their own stated diversity policies is a start:  Janet had some success at her school that way.  In the long run, I think the biggest difference will be made by India and the Internet.  American universities have long enjoyed near-monopolistic dominance in their field.  However, as it did for their manufacturing and information technology counterparts, that privilege is coming to an end.  When people have choices, change happens.
Posted by sursumcorda on Thursday, March 25, 2010 at 11:11 am | Edit
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